There are several grades of water-carriers. First, the "sakka," who carries on his back a goat-skin filled with water; one of the fore-legs forms the spout, which is simply held tight in the hand to prevent the water from escaping. He is the poorest of them all, barefooted and wearing an often ragged blue gelabieh, while a leather apron protects his back from the dripping goat-skin. He it is who waters the streets and fills the "zīrs," or filters, in the shops, a number of shop-keepers combining to employ him to render this service to their section of a street.

A superior grade is the "khamali," who carries upon his back a large earthen pot of filtered water. When he wishes to fill the brass drinking-cups, which he cleverly tinkles as he walks, he has simply to bend forward until the water runs out of the spout above his shoulder and is caught in one of the cups, and it is interesting to notice that he seldom spills a drop.

Then there is that swaggering and often handsome fellow clad in red, and with a coloured scarf around his head, who, with shoulders well set back, carries, slung in a broad leather belt, a terra-cotta jar. This is the "sussi," who sells liquorice water, or a beverage made from prunes, and which he hands to his customers in a dainty blue and white china bowl.

The highest grade of all is the "sherbutli," also gaily dressed, who from an enormous green glass bottle, brass mounted, and cooled by a large lump of ice held in a cradle at the neck, dispenses sherbet, lemonade, or other cooling drink. Each of these classes of water-seller is well patronized, for Egypt is a thirsty land.

Here comes a bread-seller, whose fancy loaves and cakes are made in rings and strung upon wands which project from the rim of a basket; or on a tray of wicker-work or queer little donkey-cart are piled the flat unleavened loaves of the people.

To remind us of the chief baker's dream, the pastry-cook still cries his wares, which, carried in baskets on his head, are often raided by the thieving hawk or crow, while delicious fruits and fresh vegetables are vended from barrows, much like the coster trade in London.

Many of the passers-by are well to do, shopkeepers and merchants, clothed in flowing "khaftan" of coloured cloth or silk, over which, hanging loosely from their shoulders, is the black goat's wool "arbiyeh," or cloak.

The shops also make a gay addition to the general colour scheme. Of these the fruit shop is perhaps the prettiest; here rosy apples and juicy oranges, or pink-fleshed water-melons, are tastefully arranged in baskets or on shelves covered with papers of different tints. Even the tallow-chandler renders his shop attractive by means of festoons of candles, some of enormous size, and all tinted in patterns, while the more important shopping streets are one continuous display of many coloured silks and cotton goods, the glittering wares of the jeweller or coppersmith, and the gay trappings of the saddler.

In between the shops may often be noticed small doorways, whose white plaster is decorated by some bright though crude design in many colours; this is the "hammam," or public bath, while the shop of the barber, chief gossip and story-teller of his quarter, is easily distinguished by the fine-meshed net hung across the entrance as a protection against flies, for flies abound in Cairo, which, however disagreeable they may be, is perhaps fortunate in a country where the laws of sanitation are so lightly regarded.

Noise enters largely into street life, and the native is invariably loud voiced. No bargain is concluded without an apparent squabble, and every tradesman in the street calls his wares, while drivers of vehicles are incessant in their cries of warning to foot-passengers. All the sounds are not unmusical, however, for from the minarets comes the "muezzin's" sweet call to prayer, to mingle with the jingling bells and the tinkling of the cups of the water-sellers.