- [1. Origin of the Bhāts.]
- [2. Bhāts and Chārans.]
- [3. Lower-class Bhāts.]
- [4. Social status of the caste.]
- [5. Social customs.]
- [6. The Bhāt’s business.]
- [7. Their extortionate practices.]
- [8. The Jasondhis.]
- [9. The Chārans as carriers.]
- [10. Suicide and the fear of ghosts.]
- [11. Instances of haunting and laying ghosts.]
- [12. The Chārans as sureties.]
- [13. Suicide as a means of revenge.]
- [14. Dharna.]
- [15. Casting out spirits.]
- [16. Sulking. Going bankrupt.]
- [17. Bhāt songs.]
1. Origin of the Bhāts.
Bhāt, Rao, Jasondhi.—The caste of bards and genealogists. In 1911 the Bhāts numbered 29,000 persons in the Central Provinces and Berār, being distributed over all Districts and States, with a slight preponderance in large towns such as Nāgpur, Jubbulpore and Amraoti. The name Bhāt is derived from the Sanskrit Bhatta, a lord. The origin of the Bhāts has been discussed in detail by Sir H. Risley. Some, no doubt, are derived from the Brāhman caste as stated by Mr. Nesfield: “They are an offshoot from those secularised Brāhmans who frequented the courts of princes and the camps of warriors, recited their praises in public, and kept records of their genealogies. Such, without much variation, is the function of the Bhāt at the present day. The Mahābhārata speaks of a band of bards and eulogists marching in front of Yudishthira as he made his progress from the field of Kurukshetra towards Hastinapur. But these very men are spoken of in the same poem as Brāhmans. Naturally as time went on these courtier priests became hereditary bards, receded from the parent stem and founded a new caste.” “The best modern opinion,” Sir H. Risley states,[1] “seems disposed to find the germ of the Brāhman caste in the bards, ministers and family priests, who were attached to the king’s household in Vedic times. The characteristic profession of the Bhāts has an ancient and distinguished history. The literature of both Greece and India owes the preservation of its oldest treasures to the singers who recited poems in the households of the chiefs, and doubtless helped in some measure to shape the masterpieces which they handed down. Their place was one of marked distinction. In the days when writing was unknown, the man who could remember many verses was held in high honour by the tribal chief, who depended upon the memory of the bard for his personal amusement, for the record of his own and his ancestors’ prowess, and for the maintenance of the genealogy which established the purity of his descent. The bard, like the herald, was not lightly to be slain, and even Odysseus in the heat of his vengeance spares the ἀοιδός Phemius, ‘who sang among the wooers of necessity.’”[2]
2. Bhāts and Chārans.
There is no reason to doubt that the Birm or Baram Bhāts are an offshoot of Brāhmans, their name being merely a corruption of the term Brāhman. But the caste is a very mixed one, and another large section, the Chārans, are almost certainly derived from Rājpūts. Malcolm states that according to the fable of their origin, Mahādeo first created Bhāts to attend his lion and bull; but these could not prevent the former from killing the latter, which was a source of infinite vexation and trouble, as it compelled Mahādeo to create new ones. He therefore formed the Chāran, equally devout with the Bhāt, but of bolder spirit, and gave him in charge these favourite animals. From that time no bull was ever destroyed by the lion.[3] This fable perhaps indicates that while the peaceful Bhāts were Brāhmans, the more warlike Chārans were Rājpūts. It is also said that some Rājpūts disguised themselves as bards to escape the vengeance of Parasurāma.[4] The Māru Chārans intermarry with Rājpūts, and their name appears to be derived from Māru, the term for the Rājputāna desert, which is also found in Mārwār. Malcolm states[5] that when the Rājpūts migrated from the banks of the Ganges to Rājputāna, their Brāhman priests did not accompany them in any numbers, and hence the Chārans arose and supplied their place. They had to understand the rites of worship, particularly of Siva and Pārvati, the favourite deities of the Rājpūts, and were taught to read and write. One class became merchants and travelled with large convoys of goods, and the others were the bards and genealogists of the Rājpūts. Their songs were in the rudest metre, and their language was the local dialect, understood by all. All this evidence shows that the Chārans were a class of Rājpūt bards.
3. Lower-class Bhāts.
But besides the Birm or Brāhman Bhāts and the Rājpūt Chārans there is another large body of the caste of mixed origin, who serve as bards of the lower castes and are probably composed to a great extent of members of these castes. These are known as the Brid-dhari or begging Bhāts. They beg from such castes as Lodhis, Telis, Kurmis, Ahīrs and so on, each caste having a separate section of Bhāts to serve it; the Bhāts of each caste take food from the members of the caste, but they also eat and intermarry with each other. Again, there are Bairāgi Bhāts who beg from Bairāgis, and keep the genealogies of the temple-priests and their successors. Yet another class are the Dasaundhis or Jasondhis, who sing songs in honour of Devi, play on musical instruments and practise astrology. These rank below the cultivating castes and sometimes admit members of such castes who have taken religious vows.
4. Social status of the caste.
The Brāhman or Birm-Bhāts form a separate subcaste, and the Rājpūts are sometimes called Rājbhāt. These wear the sacred thread, which the Brid-Bhāts and Jasondhis do not. The social status of the Bhāts appears to vary greatly. Sir H. Risley states that they rank immediately below Kāyasths, and Brāhmans will take water from their hands. The Chārans are treated by the Rājpūts with the greatest respect;[6] the highest ruler rises when one of this class enters or leaves an assembly, and the Chāran is invited to eat first at a Rājpūt feast. He smokes from the same huqqa as Rājpūts, and only caste-fellows can do this, as the smoke passes through water on its way to the mouth. In past times the Chāran acted as a herald, and his person was inviolable. He was addressed as Mahārāj,[7] and could sit on the Singhāsan or Lion’s Hide, the ancient term for a Rājpūt throne, as well as on the hides of the tiger, panther and black antelope. The Rājpūts held him in equal estimation with the Brāhman or perhaps even greater.[8] This was because they looked to him to enshrine their heroic deeds in his songs and hand them down to posterity. His sarcastic references to a defeat in battle or any act displaying a want of courage inflamed their passions as nothing else could do. On the other hand, the Brid-Bhāts, who serve the lower castes, occupy an inferior position. This is because they beg at weddings and other feasts, and accept cooked food from members of the caste who are their clients. Such an act constitutes an admission of inferior status, and as the Bhāts eat together their position becomes equivalent to that of the lowest group among them. Thus if other Bhāts eat with the Bhāts of Telis or Kalārs, who have taken cooked food from their clients, they are all in the position of having taken food from Telis and Kalārs, a thing which only the lowest castes will do. If the Bhāt of any caste, such as the Kurmis, keeps a girl of that caste, she can be admitted into the community, which is therefore of a very mixed character. Such a caste as the Kurmis will not even take water from the hands of the Bhāts who serve them. This rule applies also where a special section of the caste itself act as bards and minstrels. Thus the Pardhāns are the bards of the Gonds, but rank below ordinary Gonds, who give them food and will not take it from them. And the Sānsias, the bards of the Jāts, and the Mirāsis, who are employed in this capacity by the lower castes generally, occupy a very inferior position, and are sometimes considered as impure.