The Ahīrs have a special relation to the Hindu religion, owing to their association with the sacred cow, which is itself revered as a goddess. When religion gets to the anthropomorphic stage the cowherd, who partakes of the cow’s sanctity, may be deified as its representative. This was probably the case with Krishna, one of the most popular gods of Hinduism, who was a cowherd, and, as he is represented as being of a dark colour, may even have been held to be of the indigenous races. Though, according to the legend, he was really of royal birth, Krishna was brought up by Nānd, a herdsman of Gokul, and Jasoda or Dasoda his wife, and in the popular belief these are his parents, as they probably were in the original story. The substitution of Krishna, born as a prince, for Jasoda’s daughter, in order to protect him from destruction by the evil king Kānsa of Mathura, is perhaps a later gloss, devised when his herdsman parentage was considered too obscure for the divine hero. Krishna’s childhood in Jasoda’s house with his miraculous feats of strength and his amorous sports with Rādha and the other milkmaids of Brindāwan, are among the most favourite Hindu legends. Govind and Gopāl, the protector or guardian of cows, are names of Krishna and the commonest names of Hindus, as are also his other epithets, Murlidhar and Bansidhar, the flute-player; for Krishna and Balārām, like Greek and Roman shepherds, were accustomed to divert themselves with song, to the accompaniment of the same instrument. The child Krishna is also very popular, and his birthday, the Janam-Ashtami on the 8th of dark Bhādon (August), is a great festival. On this day potsful of curds are sprinkled over the assembled worshippers. Krishna, however, is not the solitary instance of the divine cowherd, but has several companions, humble indeed compared to him, but perhaps owing their apotheosis to the same reasons. Bhīlat, a popular local godling of the Nerbudda Valley, was the son of an Ahīr or Gaoli woman; she was childless and prayed to Pārvati for a child, and the goddess caused her votary to have one by her own husband, the god Mahādeo. Bhīlat was stolen away from his home by Mahādeo in the disguise of a beggar, and grew up to be a great hero and made many conquests; but finally he returned and lived with his herdsman parents, who were no doubt his real ones. He performed numerous miracles, and his devotees are still possessed by his spirit. Singāji is another godling who was a Gaoli by caste in Indore. He became a disciple of a holy Gokulastha Gosain or ascetic, and consequently a great observer of the Janam-Ashtami or Krishna’s birthday.[14] On one occasion Singāji was late for prayers on this day, and the guru was very angry, and said to him, ‘Don’t show your face to me again until you are dead.’ Singāji went home and told the other children he was going to die. Then he went and buried himself alive. The occurrence was noised abroad and came to the ears of the guru, who was much distressed, and proceeded to offer his condolences to Singāji’s family. But on the way he saw Singāji, who had been miraculously raised from the dead on account of his virtuous act of obedience, grazing his buffaloes as before. After asking for milk, which Singāji drew from a male buffalo calf, the guru was able to inform the bereaved parents of their son’s joyful reappearance and his miraculous powers; of these Singāji gave further subsequent demonstration, and since his death, said to have occurred 350 years ago, is widely venerated. The Gaolis pray to him for the protection of their cattle from disease, and make thank-offerings of butter if these prayers are fulfilled. Other pilgrims to Singāji’s shrine offer unripe mangoes and sugar, and an annual fair is held at it, when it is said that for seven days no cows, flies or ants are to be seen in the place. In the Betūl district there is a village godling called Dait, represented by a stone under a tree. He is the spirit of any Ahīr who in his lifetime was credited in the locality with having the powers of an exorcist. In Mandla and other Districts when any buffalo herdsman dies at a very advanced age the people make a platform for him within the village and call it Mahashi Deo or the buffalo god. Similarly, when an old cattle herdsman dies they do the same, and call it Balki Deo or the bullock god. Here we have a clear instance of the process of substituting the spirit of the herdsman for the cow or buffalo as an object of worship. The occupation of the Ahīr also lends itself to religious imaginations. He stays in the forest or waste grass-land, frequently alone from morning till night, watching his herds; and the credulous and uneducated minds of the more emotional may easily hear the voices of spirits, or in a half-sleeping condition during the heat and stillness of the long day may think that visions have appeared to them. Thus they come to believe themselves selected for communication with the unseen deities or spirits, and on occasions of strong religious excitement work themselves into a frenzy and are held to be possessed by a spirit or god.
13. Caste deities.
Among the special deities of the Ahīrs is Kharak Deo, who is always located at the khirkha, or place of assembly of the cattle, on going to and returning from pasture. He appears to be the spirit or god of the khirkha. He is represented by a platform with an image of a horse on it, and when cattle fall ill the owners offer flour and butter to him. These are taken by the Ahīrs in charge, and it is thought that the cattle will get well. Matar Deo is the god of the pen or enclosure for cattle made in the jungle. Three days after the Diwāli festival the Rāwats sacrifice one or more goats to him, cutting off their heads. They throw the heads into the air, and the cattle, smelling the blood, run together and toss them with their horns as they do when they scent a tiger. The men then say that the animals are possessed by Matar Deo. Guraya Deo is a deity who lives in the cattle-stalls in the village and is worshipped once a year. A man holds an egg in his hand, and walks round the stall pouring liquid over the egg all the way, so as to make a line round it. The egg is then buried beneath the shrine of the god, the rite being probably meant to ensure his aid for the protection of the cattle from disease in their stalls. A favourite saint of the Ahīrs is Haridās Bāba. He was a Jogi, and could separate his soul from his body at pleasure. On one occasion he had gone in spirit to Benāres, leaving his body in the house of one of his disciples, who was an Ahīr. When he did not return, and the people heard that a dead body was lying there, they came and insisted that it should be burnt. When he came back and found that his body was burnt, he entered into a man and spoke through him, telling the people what had happened. In atonement for their unfortunate mistake they promised to worship him.
Ahīr dancers in Diwāli costume.
14. Other deities.
The Mahākul Ahīrs of Jashpur have three deities, whom they call Mahādeo or Siva, Sahādeo, one of the five Pāndava brothers, and the goddess Lakshmi. They say that the buffalo is Mahādeo, the cow Sahādeo, and the rice Lakshmi. This also appears to be an instance of the personification of animals and the corn into anthropomorphic deities.
15. The Diwāli festival.
The principal festival of the Ahīrs is the Diwāli, falling about the beginning of November, which is also the time when the autumn crops ripen. All classes observe this feast by illuminating their houses with many small saucer-lamps and letting off crackers and fireworks, and they generally gamble with money to bring them good luck during the coming year. The Ahīrs make a mound of earth, which is called Govardhan, that is the mountain in Mathura which Krishna held upside down on his finger for seven days and nights, so that all the people might gather under it and be protected from the devastating storms of rain sent by Indra. After dancing round the mound they drive their cattle over it and make them trample it to pieces. At this time a festival called Marhai is held, at which much liquor is drunk and all classes disport themselves. In Damoh on this day the Ahīrs go to the standing-place for village cattle, and after worshipping the god, frighten the cattle by waving leaves of the basil-plant at them, and then put on fantastic dresses, decorating themselves with cowries, and go round the village, singing and dancing. Elsewhere at the time of the Marhai they dance round a pole with peacock feathers tied to the top, and sometimes wear peacock feathers themselves, as well as aprons sewn all over with cowries. It is said that Krishna and Balārām used to wear peacock feathers when they danced in the jungles of Mathura, but this rite has probably some connection with the worship of the peacock. This bird might be venerated by the Ahīrs as one of the prominent denizens of the jungle. In Raipur they tie a white cock to the top of the pole and dance round it. In Mandla, Khila Mutha, the god of the threshing-floor, is worshipped at this time, with offerings of a fowl and a goat. They also perform the rite of jagāna or waking him up. They tie branches of a small shrub to a stick and pour milk over the stone which is his emblem, and sing, ‘Wake up, Khila Mutha, this is the night of Amāwas’ (the new moon). Then they go to the cattle-shed and wake up the cattle, crying, ‘Poraiya, god of the door, watchman of the window, open the door, Nānd Gowāl is coming.’ Then they drive out the cattle and chase them with the branches tied to their sticks as far as their grazing-ground. Nānd Gowāl was the foster-father of Krishna, and is now said to signify a man who has a lakh (100,000) of cows. This custom of frightening the cattle and making them run is called dhor jagāna or bichkāna, that is, to wake up or terrify the cattle. Its meaning is obscure, but it is said to preserve the cattle from disease during the year. In Raipur the women make an image of a parrot in clay at the Diwāli and place it on a pole and go round to the different houses, singing and dancing round the pole, and receiving presents of rice and money. They praise the parrot as the bird who carries messages from a lover to his mistress, and as living on the mountains and among the green verdure, and sing:
“Oh, parrot, where shall we sow gondla grass and where shall we sow rice?