In Raipur a girl should be married before puberty, and if no husband is immediately available, they tie a few flowers into her cloth and consider this as a marriage. If an unmarried girl becomes pregnant she is debarred from going through the wedding ceremony, and will simply go and live with her lover or any other man. Matches are usually arranged by the parents, but if a daughter is not pleased with the prospective bridegroom, who may sometimes be a well-to-do man much older than herself, she occasionally runs away and goes through the ceremony on her own account with the man of her choice.
If no one has asked her parents for her hand she may similarly select a husband for herself and make her wishes known, but in that case she is temporarily put out of caste until the chosen bridegroom signifies his acquiescence by giving the marriage feast. What happens if he definitely fails to respond is not stated, but presumably the young woman tries elsewhere until she finds herself accepted.
4. The Counter of Posts.
The date and hour of the wedding are fixed by an official known as the Meda Gantia, or Counter of Posts. He is a sort of illiterate village astrologer, who can foretell the character of the rainfall, and gives auspicious dates for sowing and harvest. He goes through some training, and as a test of his capacity is required by his teacher to tell at a glance the number of posts in an enclosure which he has not seen before. Having done this correctly he qualifies as a Meda Gantia. Apparently the Bhatras, being unable at one time to count themselves, acquired an exaggerated reverence for the faculty of counting, and thought that if a man could only count far enough he could reckon into the future; or it might be thought that as he could count and name future days, he thus obtained power over them, and could tell what would happen on them just as one can obtain power over a man and work him injury by knowing his real name.
5. Marriage customs.
At a wedding the couple walk seven times round the sacred post, which must be of wood of the mahua[2] tree, and on its conclusion the post is taken to a river or stream and consigned to the water. The Bhatras, like the Gonds, no doubt revere this tree because their intoxicating liquor is made from its flowers. The couple wear marriage crowns made from the leaves of the date palm and exchange these. A little turmeric and flour are mixed with water in a plate, and the bride, taking the bridegroom’s right hand, dips it into the coloured paste and strikes it against the wall. The action is repeated five times, and then the bridegroom does the same with the bride’s hand. By this rite the couple pledge each other for their mutual behaviour during married life. From the custom of making an impression of the hand on a wall in token of a vow may have arisen that of clasping hands as a symbol of a bargain assented to, and hence of shaking hands, by persons who meet, as a pledge of amity and the absence of hostile intentions. Usually the hand is covered with red ochre, which is probably a substitute for blood; and the impression of the hand is made on the wall of a temple in token of a vow. This may be a survival of the covenant made by the parties dipping their hands in the blood of the sacrifice and laying them on the god. A pit about a foot deep is dug close to the marriage-shed, and filled with mud or wet earth. The bride conceals a nut in the mud and the bridegroom has to find it, and the hiding and finding are repeated by both parties. This rite may have the signification of looking for children. The remainder of the day is spent in eating, drinking and dancing. On the way home after the wedding the bridegroom has to shoot a deer, the animal being represented by a branch of a tree thrown across the path by one of the party. But if a real deer happens by any chance to come by he has to shoot this. The bride goes up to the real or sham deer and pulls out the arrow, and presents her husband with water and a tooth-stick, after which he takes her in his arms and they dance home together. On arrival at the house the bridegroom’s maternal uncle or his son lies down before the door covering himself with a blanket. He is asked what he wants, and says he will have the daughter of the bridegroom to wife. The bridegroom promises to give a daughter if he has one, and if he has a son to give him for a friend. The tribe consider that a man has a right to marry the daughter of his maternal uncle, and formerly if the girl was refused by her parents he abducted her and married her forcibly. The bride remains at her husband’s house for a few days and then goes home, and before she finally takes up her abode with him the gauna or going-away ceremony must be performed. The hands of the bride and bridegroom are tied together, and an arrow is held upright on them and some oil poured over it. The foreheads of the couple are marked with turmeric and rice, this rite being known as tīka or anointing, and presents are given to the bride’s family.
6. Propitiation of ghosts.
The dead are buried, the corpse being laid on its back with the head to the north. Some rice, cowrie-shells, a winnowing-fan and other articles are placed on the grave. The tribe probably consider the winnowing-fan to have some magical property, as it also forms one of the presents given to the bride at the betrothal. If a man is killed by a tiger his spirit must be propitiated. The priest ties strips of tiger-skin to his arms, and the feathers of the peacock and blue jay to his waist, and jumps about pretending to be a tiger. A package of a hundred seers (200 lbs.) of rice is made up, and he sits on this and finally takes it away with him. If the dead man had any ornaments they must all be given, however valuable, lest his spirit should hanker after them and return to look for them in the shape of the tiger. The large quantity of rice given to the priest is also probably intended as a provision of the best food for the dead man’s spirit, lest it be hungry and come in the shape of the tiger to satisfy its appetite upon the surviving relatives. The laying of the ghosts of persons killed by tigers is thus a very profitable business for the priests.
7. Religion. Ceremonies at hunting.
The tribe worship the god of hunting, who is known as Māti Deo and resides in a separate tree in each village. At the Bījphūtni (threshing) or harvest festival in the month of Chait (March) they have a ceremonial hunting party. All the people of the village collect, each man having a bow and arrow slung to his back and a hatchet on his shoulder. They spread out a long net in the forest and beat the animals into this, usually catching a deer, wild pig or hare, and quails and other birds. They return and cook the game before the shrine of the god and offer to him a fowl and a pig. A pit is dug and water poured into it, and a person from each house must stand in the mud. A little seed taken from each house is also soaked in the mud, and after the feast is over this is taken and returned to the householder with words of abuse, a small present of two or three pice being received from him. The seed is no doubt thus consecrated for the next sowing. The tribe also have joint ceremonial fishing excursions. Their ideas of a future life are very vague, and they have no belief in a place of reward or punishment after death. They propitiate the spirits of their ancestors on the 15th of Asārh (June) with offerings of a little rice and incense.