Each subtribe is divided into a number of exogamous septs, the names of which are identical in many cases with those of the Gonds, as Markām, Marāvi, Netām, Tekām and others. Gond names are found most frequently among the Gondwainas and Narotias, and these have adopted from the Gonds the prohibition of marriage between worshippers of the same number of gods. Thus the four septs above mentioned worship seven gods and may not intermarry. But they may marry among other septs such as the Dhurua, Pusām, Bania and Mawār who worship six gods. The Baigas do not appear to have assimilated the further division into worshippers of five, four, three and two gods which exist among the Gonds in some localities, and the system is confined to the lower subtribes. The meanings of the sept names have been forgotten and no instances of totemism are known. And the Binjhwārs and Bharotias, who are more or less Hinduised, have now adopted territorial names for their septs, as Lapheya from Lāpha zamīndāri, Ghugharia from Ghughri village in Mandla, and so on. The adoption of Gond names and septs appears to indicate that Gonds were in former times freely admitted into the Baiga tribe; and this continues to be the case at present among the lower subtribes, so far that a Gond girl marrying a Baiga becomes a regular member of the community. But the Binjhwārs and Bharotias, who have a somewhat higher status than the others, refuse to admit Gonds, and are gradually adopting the strict rule of endogamy within the subtribe.

4. Marriage.

A Baiga must not take a wife from his own sept or from another one worshipping the same number of gods. But he may marry within his mother’s sept, and in some localities the union of first cousins is permitted. Marriage is adult and the proposal comes from the parents of the bride, but in some places the girl is allowed to select a husband for herself. A price varying from five to twenty rupees is usually paid to the bride’s parents, or in lieu of this the prospective husband serves his father-in-law for a period of about two years, the marriage being celebrated after the first year if his conduct is satisfactory. Orphan boys who have no parents to arrange their marriages for them often take service for a wife. Three ceremonies should precede the marriage. The first, which may take place at any time after the birth of both children, consists merely in the arrangement for their betrothal. The second is only a ratification of the first, feasts being provided by the boy’s parents on both occasions. While on the approach of the children to marriageable age the final betrothal or barokhi is held. The boy’s father gives a large feast at the house of the girl and the date of the wedding is fixed. To ascertain whether the union will be auspicious, two grains of rice are dropped into a pot of water, after various preliminary solemnities to mark the importance of the occasion. If the points of the grains meet almost immediately it is considered that the marriage will be highly auspicious. If they do not meet, a second pair of grains are dropped in, and should these meet it is believed that the couple will quarrel after an interval of married life and that the wife will return to her father’s house. While if neither of the two first essays are successful and a third pair is required, the regrettable conclusion is arrived at that the wife will run away with another man after a very short stay with her husband. But it is not stated that the betrothal is on that account annulled. The wedding procession starts from the bridegroom’s house[6] and is received by the bride’s father outside the village. It is considered essential that he should go out to meet the bride’s party riding on an elephant. But as a real elephant is not within the means of a Baiga, two wooden bedsteads are lashed together and covered with blankets with a black cloth trunk in front, and this arrangement passes muster for an elephant. The elephant makes pretence to charge and trample down the marriage procession, until a rupee is paid, when the two parties embrace each other and proceed to the marriage-shed. Here the bride and bridegroom throw fried rice at each other until they are tired, and then walk three or seven times round the marriage-post with their clothes tied together. It is stated by Colonel Ward that the couple always retired to the forest to spend the wedding night, but this custom has now been abandoned. The expenditure on a marriage varies between ten and fifty rupees, of which only about five rupees fall on the bride’s parents. The remarriage of widows is permitted, and the widow is expected, though not obliged, to wed her late husband’s younger brother, while if she takes another husband he must pay her brother-in-law the sum of five rupees. The ceremony consists merely of the presentation of bangles and new clothes by the suitor, in token of her acceptance of which the widow pours some tepid water stained with turmeric over his head. Divorce may be effected by the husband and wife breaking a straw in the presence of the caste panchāyat or committee. If the woman remains in the same village and does not marry again, the husband is responsible for her maintenance and that of her children, while a divorced woman may not remarry without the sanction of the panchāyat so long as her husband is alive and remains single. Polygamy is permitted.

5. Birth and funeral rites.

A woman is unclean for a month after childbirth, though the Binjhwārs restrict the period to eight days. At the ceremony of purification a feast is given and the child is named, often after the month or day of its birth, as Chaitu, Phāgu, Saoni, and so on, from the months of Chait, Phāgun and Shrāwan. Children who appear to be physically defective are given names accordingly, such as Langra (lame), or Bahira (deaf). The dead are usually buried, the bodies of old persons being burnt as a special honour and to save them from the risk of being devoured by wild animals. Bodies are laid naked in the grave with the head pointing to the south. In the grave of a man of importance two or three rupees and some tobacco are placed. In some places a rupee is thrust into the mouth of the dying man, and if his body is burnt, the coin is recovered from the pyre by his daughter or sister, who wears it as an amulet. Over the grave a platform is made on which a stone is erected. This is called the Bhīri of the deceased and is worshipped by his relatives in time of trouble. If one of the family has to be buried elsewhere, the relatives go to the Bhīri of the great dead and consign his spirit to be kept in their company. At a funeral the mourners take one black and one white fowl to a stream and kill and eat them there, setting aside a portion for the dead man. Mourning is observed for a period of from two to nine days, and during this time labour and even household work are stopped, food being supplied by the friends of the family. When a man is killed by a tiger the Baiga priest goes to the spot and there makes a small cone out of the blood-stained earth. This must represent a man, either the dead man or one of his living relatives. His companions having retired a few paces, the priest goes on his hands and knees and performs a series of antics which are supposed to represent the tiger in the act of destroying the man, at the same time seizing the lump of blood-stained earth in his teeth. One of the party then runs up and taps him on the back with a small stick. This perhaps means that the tiger is killed or otherwise rendered harmless; and the Baiga immediately lets the mud cone fall into the hands of one of the party. It is then placed in an ant-hill and a pig is sacrificed over it. The next day a small chicken is taken to the place, and after a mark supposed to be the dead man’s name is made on its head with red ochre, it is thrown back into the forest, the priest exclaiming, ‘Take this and go home.’ The ceremony is supposed to lay the dead man’s spirit and at the same time to prevent the tiger from doing any further damage. The Baigas believe that the ghost of the victim, if not charmed to rest, resides on the head of the tiger and incites him to further deeds of blood, rendering him also secure from harm by his preternatural watchfulness.[7]

They also think that they can shut up the tiger’s dār or jaws, so that he cannot bite them, by driving a nail into a tree. The forest track from Kānha to Kisli in the Banjar forest reserve of Mandla was formerly a haunt of man-eating tigers, to whom a number of the wood-cutters and Baiga coolies, clearing the jungle paths, fell victims every year. In a large tree, at a dangerous point in the track, there could recently be seen a nail, driven into the trunk by a Baiga priest, at some height from the ground. It was said that this nail shut the mouth of a famous man-eating tiger of the locality and prevented him from killing any more victims. As evidence of the truth of the story there were shown on the trunk the marks of the tiger’s claws, where he had been jumping up the tree in the effort to pull the nail out of the trunk and get his man-eating powers restored.

6. Religion.

Although the Binjhwār subcaste now profess Hinduism, the religion of the Baigas is purely animistic. Their principal deity is Bura Deo,[8] who is supposed to reside in a sāj tree (Terminalia tomentosa); he is worshipped in the month of Jeth (May), when goats, fowls, cocoanuts, and the liquor of the new mahua crop are offered to him. Thākur Deo is the god of the village land and boundaries, and is propitiated with a white goat. The Baigas who plough the fields have a ceremony called Bidri, which is performed before the breaking of the rains. A handful of each kind of grain sown is given by each cultivator to the priest, who mixes the grains together and sows a little beneath the tree where Thākur Deo lives. After this he returns a little to each cultivator, and he sows it in the centre of the land on which crops are to be grown, while the priest keeps the remainder. This ceremony is believed to secure the success of the harvest. Dulha Deo is the god who averts disease and accident, and the offering made to him should consist of a fowl or goat of reddish colour. Bhīmsen is the deity of rainfall, and Dharti Māta or Mother Earth is considered to be the wife of Thākur Deo, and must also be propitiated for the success of the crops. The grain itself is worshipped at the threshing floor by sprinkling water and liquor on to it. Certain Hindu deities are also worshipped by the Baigas, but not in orthodox fashion. Thus it would be sacrilege on the part of a Hindu to offer animal sacrifices to Nārāyan Deo, the sun-god, but the Baigas devote to him a special oblation of the most unclean animal, the pig. The animal to be sacrificed is allowed to wander loose for two or three years, and is then killed in a most cruel manner. It is laid across the threshold of a doorway on its back, and across its stomach is placed a stout plank of sāj-wood. Half a dozen men sit or stand on the ends of this, and the fore and hind feet of the pig are pulled backwards and forwards alternately over the plank until it is crushed to death, while all the men sing or shout a sacrificial hymn. The head and feet are cut off and offered to the deity, and the body is eaten. The forests are believed to be haunted by spirits, and in certain localities pāts or shrines are erected in their honour, and occasional offerings are made to them. The spirits of married persons are supposed to live in streams, while trees afford a shelter to the souls of the unmarried, who become bhūts or malignant spirits after death. Nāg Deo or the cobra is supposed to live in an ant-hill, and offerings are made to him there. Demoniacal possession is an article of faith, and a popular remedy is to burn human hair mixed with chillies and pig’s dung near the person possessed, as the horrible smell thus produced will drive away the spirit. Many and weird, Mr. Low writes, are the simples which the Baiga’s travelling scrip contains. Among these a dried bat has the chief place; this the Baiga says he uses to charm his nets with, that the prey may catch in them as the bat’s claws catch in whatever it touches. As an instance of the Baiga’s pantheism it may be mentioned that on one occasion when a train of the new Satpūra railway[9] had pulled up at a wayside forest station, a Baiga was found offering a sacrifice to the engine. Like other superstitious people they are great believers in omens. A single crow bathing in a stream is a sign of death. A cock which crows in the night should be instantly killed and thrown into the darkness, a custom which some would be glad to see introduced into much more civilised centres. The woodpecker and owl are birds of bad omen. The Baigas do not appear to have any idea of a fresh birth, and one of their marriage songs says, “O girl, take your pleasure in going round the marriage-post once and for all, for there is no second birth.” The Baigas are generally the priests of the Gonds, probably because being earlier residents of the country they are considered to have a more intimate acquaintance with the local deities. They have a wide knowledge of the medicinal properties of jungle roots and herbs, and are often successful in effecting cures when the regular native doctors have failed. Their village priests have consequently a considerable reputation as skilled sorcerers and persons conversant with the unseen world. A case is known of a Brāhman transferred to a jungle station, who immediately after his arrival called in a Baiga priest and asked what forest gods he should worship, and what other steps he should take to keep well and escape calamity. Colonel Ward states that in his time Baigas were commonly called in to give aid when a town or village was attacked by cholera, and further that he had seen the greatest benefit to result from their visit. For the people had so much confidence in their powers and ceremonies that they lost half their fright at once, and were consequently not so much predisposed to an attack of the disease. On such an occasion the Baiga priest goes round the village and pulls out a little straw from each house-roof, afterwards burning the whole before the shrine of Khermāta, the goddess of the village, to whom he also offers a chicken for each homestead. If this remedy fails goats are substituted for chickens, and lastly, as a forlorn hope, pigs are tried, and, as a rule, do not fail, because by this time the disease may be expected to have worked itself out. It is suggested that the chicken represents a human victim from each house, while the straw stands for the house itself, and the offering has the common idea of a substituted victim.

7. Appearance and mode of life.

In stature the Baigas are a little taller than most other tribes, and though they have a tendency to the flat nose of the Gonds, their foreheads and the general shape of their heads are of a better mould. Colonel Ward states that the members of the tribe inhabiting the Maikal range in Mandla are a much finer race than those living nearer the open country.[10] Their figures are very nearly perfect, says Colonel Bloomfield,[11] and their wiry limbs, unburdened by superfluous flesh, will carry them over very great distances and over places inaccessible to most human beings, while their compact bodies need no other nutriment than the scanty fare afforded by their native forests. They are born hunters, hardy and active in the chase, and exceedingly bold and courageous. In character they are naturally simple, honest and truthful, and when their fear of a stranger has been dissipated are most companionable folk. A small hut, 6 or 7 feet high at the ridge, made of split bamboos and mud, with a neat veranda in front thatched with leaves and grass, forms the Baiga’s residence, and if it is burnt down, or abandoned on a visitation of epidemic disease, he can build another in the space of a day. A rough earthen vessel to hold water, leaves for plates, gourds for drinking-vessels, a piece of matting to sleep on, and a small axe, a sickle and a spear, exhaust the inventory of the Baiga’s furniture, and the money value of the whole would not exceed a rupee.[12] The Baigas never live in a village with other castes, but have their huts some distance away from the village in the jungle. Unlike the other tribes also, the Baiga prefers his house to stand alone and at some little distance from those of his fellow-tribesmen. While nominally belonging to the village near which they dwell, so separate and distinct are they from the rest of people that in the famine of 1897 cases were found of starving Baiga hamlets only a few hundred yards away from the village proper in which ample relief was being given. On being questioned as to why they had not caused the Baigas to be helped, the other villagers said, ‘We did not remember them’; and when the Baigas were asked why they did not apply for relief, they said, ‘We did not think it was meant for Baigas.’