4. Dress.
The novice is dressed in a cloth coloured with geru or red ochre, such as the Gosains usually wear. It is probable that the red or pink colour is meant to symbolise blood and to signify that the Gosains allow the sacrifice of animals and the consumption of flesh, and on this account they are called Lāl Pādri or red priest, while Vishnuite mendicants, who dress in white, are called Sīta Pādri. He has a necklace or rosary of the seeds of the rudrāksha tree,[2] sacred to Siva, consisting of 32 or 64 beads. These are like nuts with a rough indented shell. On his forehead he marks with bhabhūt or ashes three horizontal lines to represent the trident of Siva, or sometimes the eye of the god. Others make only two lines with a dot above or below, and this sign is said to represent the phallic emblem. A crescent moon or a triangle may also be made.[3] The marks are often made in sandalwood, and the Gosains say that the original sandalwood grows on a tree in the Himalayas, which is guarded by a great snake so that nobody can approach it; but its scent is so strong that all the surrounding trees of the grove are scented with it and sandalwood is obtained from them. Those who worship Bhairon make a round mark with vermilion between the eyes, taking it from beneath the god’s foot. A mendicant usually has a begging-bowl and a pair of tongs, which are useful for kindling a fire. Those who have visited Badrināth or one of the other Himalayan shrines have a ring of iron, brass or copper on the arm, often inscribed with the image of a deity. If they have been to the temple of Devi at Hinglāj in the Lāsbela State of Beluchistān they have a necklace of little white stone beads called thumra; and one who has made a pilgrimage to Rāmeshwaram at the extreme southern point of India has a ring of conch-shell on the wrist. When he can obtain it a Gosain also carries a tiger- or panther-skin, which he wears over his shoulders and uses to sit and lie down on. Among the ancient Greeks it was the custom to sleep in a temple or its avenue either on the bare ground or on the skin of a sacred animal, in order to obtain visions or appearances of the god in a dream or to be cured of diseases.[4] Formerly the Gosains were accustomed to go about naked, and at the religious festivals they would go in procession naked to bathe in the river. At Amarnāth in the Punjab they would throw themselves naked on the block of ice which represented Siva.[5] The Nāga Gosains, so called because they were once accustomed to go naked into battle, were a famous fighting corps. Though they shave the head and scalp-lock on initiation the Gosains usually let the hair grow, and either have it hanging down in matted locks over the shoulders, which gives them a wild and unkempt appearance, or wind it on the top of the head into a coil often thickened with strips of sheep’s wool. They say that they let the hair grow in imitation of the ancient forest ascetics, who could not but let it grow as they had no means to shave it, and also of the matted locks of the god Siva. Sometimes they let the hair grow during the whole period of a pilgrimage, and on arrival at the shrine of their destination shave it off and offer it to the god. Those who are initiated on the banks of the Nerbudda throw the hair cut from their head into the sacred river.
Gosain mendicants with long hair
5. Methods of begging and greetings.
They have various rules about begging. Some will never turn back to receive alms. They may also make a rule only to accept the surplus of food cooked for the family, and to refuse any of special quality or cooked expressly for them. One Gosain, noticed by Mr. A. K. Smith, always begged hopping, and only from five houses; he took from them respectively two handfuls of flour, a pinch of salt, and sufficient quantities of vegetables, spices and butter for his meal, and then went hopping home. Those who are performing the perikrama or circuit of the Nerbudda from its source to its mouth and back, do not cut their hair or nails during the whole period of about three years. They may not enter the Nerbudda above their knees nor wash their vessels in it. After crossing any tributary river or stream in their path they may not re-cross this; and if they have forgotten or left any article behind, must abandon it unless they can persuade somebody to go back and fetch it for them. Some carry a gourd with a single string stretched on a stick, on which they twang some notes; others have a belt of sheep’s hair hung with the bells of bullocks which they tie round the waist, so that the tinkling of the bells may announce their coming. A common begging cry is Alakh, which is said to mean ‘apart,’ and to refer to themselves as being apart or separated from the world. The beggar gives this cry and stands at the door of the house for half a minute, shaking his body about all the time. If no alms are brought in this time he moves on.
When an ordinary Hindu meets a Gosain he says ‘Nāmu Nārāyan’ or ‘I go to Nārāyan,’ and the Gosain answers ‘Nārāyan.’ Nārāyan is a name of Vishnu, and its use by the Gosains is curious. Those who have performed the circuit of the Nerbudda say ‘Har Nerbudda,’ and the person addressed answers ‘Nerbudda Mai ki Jai’ or ‘Victory to Mother Nerbudda.’