3. Marriage and ceremonies of adolescence.
Marriage is avoided between persons having the same surname and those within six degrees of descent from a common ancestor whether male or female. The marriage ceremony generally resembles that of the Brāhmans. Before the wedding the bridegroom’s father prepares an image of Siva from rice and til-seed,[7] covers it with a cloth and sends it to the bride’s house. In return her mother prepares and sends back a similar image of Gauri, Siva’s consort. Girls are married as infants, and when a woman arrives at adolescence the following ritual is observed: She goes to her husband’s house and is there secluded for three or four days while her impurity lasts. On its termination she is bathed and clothed in a green dress and yellow choli or breast-cloth, and seated in a gaily decked wooden frame. Her lap is filled with wheat and a cocoanut, and her female friends and relatives and father and father-in-law give her presents of sweets and clothes. This is known as the Shāntik ceremony and is practised by the higher castes in the Marātha country. It may continue for as long as sixteen days. Finally, on an auspicious day the bride and bridegroom are given delicate food and dressed in new clothes. The fire sacrifice is offered and they are taken into a room where a bed, the gift of the bride’s parents, has been prepared for them, and left to consummate the marriage. This is known as Garbhādhān. Next day the bride’s parents give new clothes and a feast to the bridegroom’s family; this feast is known as Godai, and after giving it the bride’s parents may eat at their daughter’s house. A girl seduced by a man of the caste may be properly married to him after her parents have performed Prāyaschit or atonement. But if she has a child out of wedlock, he is relegated to the Vidūr or illegitimate group. Even if a girl be seduced by a stranger, provided he be of higher or equal caste, as the Kunbis and Marāthas, she may be taken back into the community.
4. Birth customs.
If a child is born at an unlucky season, they take two winnowing-fans and tie the baby between them with a thread wound many times round about. A cow is brought and made to lick the child, which is thus supposed to have been born again from it as a calf, the evil omen of the first birth being removed. The father performs the fire sacrifice, and a human figure is made from cooked rice and worshipped. A burning wick is placed in its stomach and it is taken out and left at cross-roads, this being probably a substitute for the member of the family whose death was presaged by the untimely birth of the child. Similarly if any one dies at the astronomical period known as Panchak, they make five figures of wheat-flour and burn or bury them with the body, as it is thought that otherwise five members of the family would die.
5. The sacred thread.
Boys are invested with the sacred thread at the age of five, seven or nine years, and until that time they are considered to be Sūdras and not members of the caste. From a hundred to three hundred rupees may be spent on the investiture. On the day before the ceremony a Brāhman and his wife are invited to take food, and a yellow thread with a mango leaf is tied round the boy’s wrist. The spirits of other boys who died before their thread ceremony was performed and of women of the family who died before their husbands are invited to attend. These are represented by young boys and married women of other families who come to the house and are bathed and anointed with turmeric and oil, and given presents of sugar and new clothes. Next day the initiate is seated on a platform in a shed erected for the purpose and puts on the sacred thread made of cotton and also a strip of the skin of the black-buck with a silk apron and cap. The boy’s father takes him on his lap and whispers or, as the Hindus say, blows the Gāyatri mantra or sacred text into his ear. A sacrifice is performed, and the friends and fellow-castemen of the family make presents to the boy of copper and silver coin. The amount thus given is not used by the parents, but is spent on the boy’s education or on the purchase of an ornament for him. On the conclusion of the ceremony the boy mounts a wooden model of a horse and pretends to set out for Benāres. His paternal uncle then says to him, ‘Why are you going away?’ And the boy replies, ‘Because you have not married me.’ His uncle then promises to find a bride for him and he gives up his project. The part played by the maternal uncle in this ceremony is probably a survival of the period of the matriarchate, when a man’s property descended to his sister’s son. He would thus naturally claim the boy as a husband for his own daughter, and such a marriage apparently became customary and in course of time acquired binding force. And although all recollection of the rule of inheritance through women has long been forgotten, the marriage of a brother’s daughter to a sister’s son is still considered peculiarly suitable, and the idea that it is the duty of the maternal uncle to find a bride for his nephew appears to be simply a development of this. The above account also gives reason for supposing that the investiture with the sacred thread was originally a ceremony of puberty.
Group of Gurao musicians with their instruments