3. Subdivisions

The Oraons have no proper subcastes in the Central Provinces, but the Kudas and Kisans, having a distinctive name and occupation, sometimes regard themselves as separate bodies and decline intermarriage with other Oraons. In Bengal Sir H. Risley gives five divisions, Barga, Dhānka, Kharia, Khendro and Munda; of these Kharia and Munda are the names of other tribes, and Dhānka may be a variant for Dhāngar. The names show that as usual with the tribes of this part of the country the law of endogamy is by no means strict. The tribe have also a large number of exogamous septs of the totemistic type, named after plants and animals. Members of any sept commonly abstain from killing or eating their sept totem. A man must not marry a member of his own sept nor a first cousin on the mother’s side.

4. Pre-nuptial licence

Marriage is adult and pre-nuptial unchastity appears to be tacitly recognised. Oraon villages have the institution of the Dhūmkuria or Bachelors’ dormitory, which Dalton describes as follows:[3] “In all the older Oraon villages when there is any conservation of ancient customs, there is a house called the Dhūmkuria in which all the bachelors of the village must sleep under penalty of a fine. The huts of the Oraons have insufficient accommodation for a family, so that separate quarters for the young men are a necessity. The same remark applies to the young unmarried women, and it is a fact that they do not sleep in the house with their parents. They are generally frank enough when questioned about their habits, but on this subject there is always a certain amount of reticence, and I have seen girls quietly withdraw when it was mooted. I am told that in some villages a separate building is provided for them like the Dhūmkuria, in which they consort under the guardianship of an elderly duenna, but I believe the more common practice is to distribute them among the houses of the widows, and this is what the girls themselves assert, if they answer at all when the question is asked; but however billeted, it is well known that they often find their way to the bachelors’ hall, and in some villages actually sleep there. I not long ago saw a Dhūmkuria in a Sargūja village in which the boys and girls all slept every night.” Colonel Dalton considered it uncertain that the practice led to actual immorality, but the fact can hardly be doubted. Sexual intercourse before marriage, Sir H. Risley says, is tacitly recognised, and is so generally practised that in the opinion of the best observers no Oraon girl is a virgin at the time of her marriage. “To call this state of things immoral is to apply a modern conception to primitive habits of life. Within the tribe, indeed, the idea of sexual morality seems hardly to exist, and the unmarried Oraons are not far removed from the condition of modified promiscuity which prevails among many of the Australian tribes. Provided that the exogamous circle defined by the totem is respected, an unmarried woman may bestow her favours on whom she will. If, however, she becomes pregnant, arrangements are made to get her married without delay, and she is then expected to lead a virtuous life.”[4] According to Dalton, however, liaisons between boys and girls of the same village seldom end in marriage, as it is considered more respectable to bring home a bride from a distance. This appears to arise from the primitive rule of exogamy that marriage should not be allowed between those who have been brought up together. The young men can choose for themselves, and at dances, festivals and other social gatherings they freely woo their sweethearts, giving them flowers for the hair and presents of grilled field-mice, which the Oraons consider to be the most delicate of food. Father Dehon, however, states that matches are arranged by the parents, and the bride and bridegroom have nothing to say in the matter. Boys are usually married at sixteen and girls at fourteen or fifteen. The girls thus have only about two years of preliminary flirtation or Dhūmkuria life before they are settled.

5. Betrothal

The first ceremony for a marriage is known as pān bandhi or the settling of the price; for which the boy’s father, accompanied by some men of his village to represent the panch or elders, goes to the girl’s house. Father Dehon states that the bride-price is five rupees and four maunds of grain. When this has been settled the rejoicings begin. “All the people of the village are invited; two boys come and anoint the visitors with oil. From every house of the village that can afford it a handia or pot of rice-beer is brought, and they drink together and make merry. All this time the girl has been kept inside, but now she suddenly sallies forth carrying a handia on her head. A murmur of admiration greets her when stepping through the crowd she comes and stands in front of her future father-in-law, who at once takes the handia from her head, embraces her, and gives her one rupee. From that time during the whole of the feast the girl remains sitting at the feet of her father-in-law. The whole party meanwhile continue drinking and talking; and voices rise so high that they cannot hear one another. As a diversion the old women of the village all come tumbling in, very drunk and wearing fantastic hats made of leaves, gesticulating like devils and carrying a straw manikin representing the bridegroom. They all look like old witches, and in their drunken state are very mischievous.”

6. Marriage ceremony

The marriage takes place after about two years, visits being exchanged twice a year in the meantime. When the day comes the bridegroom proceeds with a large party of his friends, male and female, to the bride’s house. Most of the males have warlike weapons, real or sham, and as they approach the village of the bride’s family the young men from thence emerge, also armed, as if to repel the invasion, and a mimic fight ensues, which like a dissolving view blends pleasantly into a dance. In this the bride and bridegroom join, each riding on the hips of one of their friends. After this they have a feast till late in the night. Next morning bread cooked by the bride’s mother is taken to the dari or village spring, where all the women partake of it. When they have finished they bring a vessel of water with some leaves of the mango tree in it. Meanwhile the bride and bridegroom are in the house, being anointed with oil and turmeric by their respective sisters. When everybody has gathered under the marriage-bower the boy and girl are brought out of the house and a heap is made of a plough-yoke, a bundle of thatching-grass and a curry-stone. The bride and bridegroom are made to stand on the curry-stone, the boy touching the heels of the bride with his toes, and a long piece of cloth is put round them to screen them from the public. Only their heads and feet can be seen. A goblet full of vermilion is presented to the boy, who dips his finger in it and makes three lines on the forehead of the girl; and the girl does the same to the boy, but as she has to reach him over her shoulder and cannot see him, the boy gets it anywhere, on his face, which never fails to provoke hearty bursts of laughter. “When this is complete,” Dalton states, “a gun is fired and then by some arrangement vessels full of water, placed over the bower, are upset, and the young couple and those near them receive a drenching shower-bath, the women shouting, ‘The marriage is done, the marriage is done.’ They now retire into an apartment prepared for them, ostensibly to change their clothes, but they do not emerge for some time, and when they do appear they are saluted as man and wife.”

7. Special Customs

Meanwhile the guests sit round drinking handias or earthen pots full of rice-beer. The bride and bridegroom come out and retire a second time and are called out for the following rite. A vessel of beer is brought and the bride carries a cupful of it to the bridegroom’s brother, but instead of giving it into his hand she deposits it on the ground in front of him. This is to seal a kind of tacit agreement that from that time the bridegroom’s brother will not touch his sister-in-law, and was probably instituted to mark the abolition of the former system of fraternal polyandry, customs of an analogous nature being found among the Khonds and Korkus. “Then,” Father Dehon continues, “comes the last ceremony, which is called khirītengna handia or the handia of the story, and is considered by the Oraons to be the true form of marriage which has been handed down to them by their forefathers. The boy and girl sit together before the people, and one of the elder men present rises and addressing the boy says: ‘If your wife goes to fetch sāg and falls from a tree and breaks her leg, do not say that she is disfigured or crippled. You will have to keep and feed her.’ Then turning to the girl: ‘When your husband goes hunting, if his arm or leg is broken, do not say, “He is a cripple, I won’t live with him.” Do not say that, for you have to remain with him. If you prepare meat, give two shares to him and keep only one for yourself. If you prepare vegetables, give him two parts and keep only one part for yourself. If he gets sick and cannot go out, do not say that he is dirty, but clean his mat and wash him.’ A feast follows, and at night the girl is brought to the boy by her mother, who says to him, ‘Now this my child is yours; I do not give her for a few days but for ever; take care of her and love her well.’ A companion of the bridegroom’s then seizes the girl in his arms and carries her inside the house.”