The Tribes and Castes of the Central Provinces of India, Volume 4

by R. V. Russell

Sānsia, Uria

1. The caste and its subdivisions

Sānsia, Uria.[1]—A caste of masons and navvies of the Uriya country. The Sānsias are really a branch of the great migratory Ud or Odde caste of earth-workers, whose name has been corrupted into various forms.[2] Thus in Chānda they are known as Wadewār or Waddar. The term Uria is here a corruption of Odde, and it is the one by which the caste prefer to be known, but they are generally called Sānsia by outsiders. The caste sometimes class the Sānsias as a subcaste of Urias, the others being Benātia Urias and Khandait Urias. Since the Uriya tract has been transferred to Bengal, and subsequently to Bihār and Orissa, there remain only about 1000 Sānsias in the Chhattīsgarh Districts and States. Although it is possible that the name of the caste may have been derived from some past connection, the Sānsias of the Uriya country have at present no affinities with the outcaste and criminal tribe of Sānsis or Sānsias of northern India. They enjoy a fairly high position in Sarnbalpur, and Brāhmans will take water from them.

They are divided into two subcastes, the Benetia and Khandait. The Benetia are the higher and look down on the Khandaits, because, it is said, these latter have accepted service as foot-soldiers, and this is considered a menial occupation. Perhaps in the households of the Uriya Rājas the tribal militia had also to perform personal services, and this may have been considered derogatory., In Orissa, on the other hand, the Khandaits have become landholders and occupy a high position next to Rājpūts. The Benetia Sānsias practise hypergamy with the Khandait Sansias, taking their daughters in marriage, but not giving daughters to them. When a Benetia is marrying a Khandait girl his party will not take food with the bride’s relatives, but only partake of some sugar and curds and depart with the bride. The Sānsias have totemistic exogamous septs, usually derived from the names of sacred objects, as Kachhap, tortoise, Sankh, the conch-shell, Tulsi, basil, and so on.

2. Marriage customs

Girls are married between seven and ten, and after she is twelve years old a girl cannot go through the proper ceremony, but can only be wedded by a simple rite used for widows, in which vermilion is rubbed on her forehead and some grains of rice stuck on it. The marriage procession, as described by Mr. Rāma Prasād Bohidār, is a gorgeous affair: “The drummers, all drunk, head the procession, beating their drums to the tune set by the piper. Next in order are placed dancing-boys between two rows of lights carried on poles adorned with festoons of paper flowers. Rockets and fireworks have their proper share in the procession, and last of all comes the bridegroom in his wedding apparel, mounted on a horse. His person is studded with various kinds of gold necklaces borrowed for the occasion, and the fingers of his right hand are covered with rings. Bangles and chains of silver shine on his wrists and arms. His forehead is beautifully painted with ground sandalwood divided in the centre by a streak of vermilion. His head carries a crown of palm-leaves overlaid with bright paper of various colours. A network of mālti flowers hangs loosely from the head over the back and covers a portion of the loins of the steed. The eyes are painted with collyrium and the feet with red dye. The lips and teeth are also reddened by the betel-leaf, which the bridegroom chews in profusion. A silk cloth does the work of a belt, in which is fixed a dagger on the right side.” Here the red colour which predominates in the bridegroom’s decorations is lucky for the reasons given in the article on Lakhera; the blacking of the eyes is also considered to keep off evil spirits; betel-leaf is itself a powerful agent of magic and averter of spirits, and to the same end the bridegroom carries iron in the shape of the dagger. The ceremony is of the customary Uriya type. On the seventh day of the wedding the husband and wife go to the river and bathe, throwing away the sacred threads worn at the time of marriage, and also those which have been tied round their wrists. On returning home the wife piles up seven brass vessels and seven stools one above the other and the husband kicks them over, this being repeated seven times. The husband then washes his teeth with water brought from the river, breaks the vessel containing the water in the bride’s house, and runs away, while the women of her family throw pailfuls of coloured water over him. On the ninth day the bride comes and smears a mixture of curds and sugar on the forehead of each member of the bridegroom’s family, probably as a sign of her admission to their clan, and returns home. Divorce and the remarriage of widows are permitted.

3. Religion and worship of ancestors

The caste worship Viswakarma, the celestial architect, and on four principal festivals they revere their trade-implements and the book on architecture, by which they work. At Dasahra a pumpkin is offered to these articles in lieu of a goat. They observe the shrāddh ceremony, and first make two offerings to the spirits of ancestors who have died a violent death or have committed suicide, and to those of relatives who died unmarried, for fear lest these unclean and malignant spirits should seize and defile the offerings to the beneficent ancestors. Thereafter pindas or sacrificial cakes are offered to three male and three female ancestors both on the father’s and mother’s side, twelve cakes being offered in all. The Sānsias eat the flesh of clean animals, but the consumption of liquor is strictly forbidden, on pain, it is said, of permanent exclusion from caste.

4. Occupation

In Sambalpur the caste are usually stone-workers, making cups, mortars, images of idols and other articles. They also build tanks and wander from place to place for this purpose in large companies. It is related that on one occasion they came to dig a tank in Drūg, and the Rāja of that place, while watching their work, took a fancy to one of the Odnis, as their women were called, and wanted her to marry him. But as she was already married, and was a virtuous woman, she refused. The Rāja persisted in his demand, on which the whole body of Sānsias from Chhattīsgarh, numbering, it is said, nine lakhs of persons, left their work and proceeded to Warārbāndh, near Rāj-Nāndgaon. Here they dug the great tank of Warārbāndh[3] in one night to obtain a supply of water for themselves. But the Raja followed them, and as they could not resist him by force, the woman whom he was pursuing burnt herself alive, and thus earned undying fame in the caste. This legend is perpetuated in the Odni Gīt, a popular folk-song in Chhattīsgarh. But it is a traditional story of the Sānsias in connection with large tanks, and in another version the scene is laid in Gujarāt.[4]