Exegi monumentum ære perennius.

He intended his beloved friend and patron, Mæcenas, to be the subject of his last, as he was of his first, song. His introductory satire—the commencement of his published works—was addressed to him; the last ode in the book[[641]] (except that final one which proclaims his task finished) is a noble farewell, breathing the language of affectionate compliment;[[642]] and in the introduction to his new work, the labour of his maturer years, the fruit of careful judgment respecting men and things, he states his determination to finish his career as a poet, and to devote his last verses to his patron.

A few years after the first three books of the Odes, Horace published the first book of the Epistles. Bentley assigns the appearance of these finished and elaborate compositions to B. C. 19, Clinton to B. C. 20. The Carmen Seculare, which appeared B. C. 17, on the occasion of the celebration of the Secular Games, and the fourth book of the Odes, which was published B. C. 13, were written at the personal request of the Emperor. He wished him to celebrate the victories gained over Vindelici by his step-sons, Tiberius and Drusus. His compliance with the wishes of Augustus was a graceful return for the regard and affection which the letters of the Emperor show that he felt for the poet.[[643]] The warm admiration which, these odes express, the praises which are lavished in them, upon Augustus and his step-sons Tiberius and Drusus, may seem inconsistent with the poet’s former republicanism; but who could withstand the proffered friendship, the winning courtesy, the good-tempered condescension of his patron?

Besides, the experience of the past years must have forced him conscientiously to believe that the reign of Augustus was indeed a blessing to his country, and that his countrymen were totally unfit for real liberty, as they showed themselves quite content with the empty shadow of the constitution. He felt peace and repose were to be purchased by almost any sacrifice except that of honourable principle; that not only all the enjoyments of life were secured to himself to an extent equalling, if not surpassing, the wishes of his contented spirit, but that a similar measure of happiness was pretty generally diffused. He could not sympathize with political ambition, which had been the fruitful source of civil anarchy, and it was only the ambitious who had any cause to be dissatisfied. Doubtless the older he grew the stronger was the obligation which he felt to him who, by the lofty position which he had attained, had apparently prevented even the possibility of revolution or change. It is certain that the second book of the Epistles, and that addressed to the Pisos, which is commonly called the Art of Poetry, were written and published during the last years of his life; but the date cannot be exactly determined. He had long bid adieu to the excitements of politics; nor do these, his latest works, exhibit traces of his fondness for discussing questions of moral science, or for the profounder speculations of natural philosophy. He limits himself to the neutral ground of literature; and writes only as a writer whose judgment would be undisputed, because his works in their several departments had actually formed the taste of his contemporaries.

In November, B. C. 8, A. U. C. 746, Horace was seized with a sudden attack of illness, and died in the fifty-seventh year of his age. His old friend Mæcenas had expired but a few months before. They were buried near one another on the slope of the Esquiline.

His death was so sudden that he was unable to write a will; he had but just time before he expired to nominate, according to a common custom, the Emperor his heir.

Horace was never married; he was too general an admirer, and his tastes and habits were too much those of a bachelor, to appreciate the happiness of a wedded life. In this respect his feelings resembled those of the voluptuous and selfish society of his times. He was of small and slight figure,[[644]] but afterwards he grew corpulent.[[645]] The vigour which he enjoyed in early youth[[646]] was diminished by ill health; he became prematurely gray,[[647]] and a passage in one of his Odes seems to imply that he was a valetudinarian at forty.[[648]]

CHAPTER VI.
CHARACTER OF HORACE—DESCRIPTIONS OF HIS VILLA AT TIVOLI, AND HIS SABINE FARM—SITE OF THE BANDUSIAN FOUNTAIN—THE NEIGHBOURING SCENERY—SUBJECTS OF HIS SATIRES AND EPISTLES—BEAUTY OF HIS ODES—IMITATIONS OF GREEK POETS—SPURIOUS ODES—CHRONOLOGICAL ARRANGEMENT.

The life of Horace is especially instructive, as a mirror in which is reflected a faithful image of the manners of his day. He is the representative of Roman refined society, as Virgil is of the national mind. He who understands Horace and his works can picture to himself the society in which he lived and moved. One cannot sympathize with Petrarch, when he says “Se ex nullo poeta Latino evasisse meliorem quam ex Horatio,” or exclaim with the devoted Mæcenas,

Ni te visceribus meis Horati