Yet its feet are untired and its eyes undimmed. It carries the golden amulet of ageless eternity, at whose touch all wrinkles vanish from the forehead of creation. In the very core of the world's heart stands immortal youth. Death and decay cast over its face momentary shadows and pass on; they leave no marks of their steps—and truth remains fresh and young.
This old, old day of our earth is born again and again every morning. It comes back to the original refrain of its music. If its march were the march of an infinite straight line, if it had not the awful pause of its plunge in the abysmal darkness and its repeated rebirth in the life of the endless beginning, then it would gradually soil and bury truth with its dust and spread ceaseless aching over the earth under its heavy tread. Then every moment would leave its load of weariness behind, and decrepitude would reign supreme on its throne of eternal dirt.
But every morning the day is reborn among the newly-blossomed flowers with the same message retold and the same assurance renewed that death eternally dies, that the waves of turmoil are on the surface, and that the sea of tranquillity is fathomless. The curtain of night is drawn aside and truth emerges without a speck of dust on its garment, without a furrow of age on its lineaments.
We see that he who is before everything else is the same to-day. Every note of the song of creation comes fresh from his voice. The universe is not a mere echo, reverberating from sky to sky, like a homeless wanderer—the echo of an old song sung once for all in the dim beginning of things and then left orphaned. Every moment it comes from the heart of the master, it is breathed in his breath.
And that is the reason why it overspreads the sky like a thought taking shape in a poem, and never has to break into pieces with the burden of its own accumulating weight. Hence the surprise of endless variations, the advent of the unaccountable, the ceaseless procession of individuals, each of whom is without a parallel in creation. As at the first so to the last, the beginning never ends—the world is ever old and ever new.
It is for our self to know that it must be born anew every moment of its life. It must break through all illusions that encase it in their crust to make it appear old, burdening it with death.
For life is immortal youthfulness, and it hates age that tries to clog its movements—age that belongs not to life in truth, but follows it as the shadow follows the lamp.
Our life, like a river, strikes its banks not to find itself closed in by them, but to realise anew every moment that it has its unending opening towards the sea. It is a poem that strikes its metre at every step not to be silenced by its rigid regulations, but to give expression every moment to the inner freedom of its harmony.
The boundary walls of our individuality thrust us back within our limits, on the one hand, and thus lead us, on the other, to the unlimited. Only when we try to make these limits infinite are we launched into an impossible contradiction and court miserable failure.
This is the cause which leads to the great revolutions in human history. Whenever the part, spurning the whole, tries to run a separate course of its own, the great pull of the all gives it a violent wrench, stops it suddenly, and brings it to the dust. Whenever the individual tries to dam the ever-flowing current of the world-force and imprison it within the area of his particular use, it brings on disaster. However powerful a king may be, he cannot raise his standard or rebellion against the infinite source of strength, which is unity, and yet remain powerful.