I could not see, at all clearly, what my master could do to counteract these legal machinations. That evening, at the time he usually came to me, he did not turn up. On my making inquiries, his servant said he had left home with a few things packed in a small trunk, and some bedding, saying he would be back in a few days. I thought he might have sallied forth to hunt for witnesses in Panchu's uncle's village. In that case, however, I was sure that his would be a hopeless quest …
During the day I forget myself in my work. As the late autumn afternoon wears on, the colours of the sky become turbid, and so do the feelings of my mind. There are many in this world whose minds dwell in brick-built houses—they can afford to ignore the thing called the outside. But my mind lives under the trees in the open, directly receives upon itself the messages borne by the free winds, and responds from the bottom of its heart to all the musical cadences of light and darkness.
While the day is bright and the world in the pursuit of its numberless tasks crowds around, then it seems as if my life wants nothing else. But when the colours of the sky fade away and the blinds are drawn down over the windows of heaven, then my heart tells me that evening falls just for the purpose of shutting out the world, to mark the time when the darkness must be filled with the One. This is the end to which earth, sky, and waters conspire, and I cannot harden myself against accepting its meaning. So when the gloaming deepens over the world, like the gaze of the dark eyes of the beloved, then my whole being tells me that work alone cannot be the truth of life, that work is not the be-all and the end-all of man, for man is not simply a serf— even though the serfdom be of the True and the Good.
Alas, Nikhil, have you for ever parted company with that self of yours who used to be set free under the starlight, to plunge into the infinite depths of the night's darkness after the day's work was done? How terribly alone is he, who misses companionship in the midst of the multitudinousness of life.
The other day, when the afternoon had reached the meeting-point of day and night, I had no work, nor the mind for work, nor was my master there to keep me company. With my empty, drifting heart longing to anchor on to something, I traced my steps towards the inner gardens. I was very fond of chrysanthemums and had rows of them, of all varieties, banked up in pots against one of the garden walls. When they were in flower, it looked like a wave of green breaking into iridescent foam. It was some time since I had been to this part of the grounds, and I was beguiled into a cheerful expectancy at the thought of meeting my chrysanthemums after our long separation.
As I went in, the full moon had just peeped over the wall, her slanting rays leaving its foot in deep shadow. It seemed as if she had come a-tiptoe from behind, and clasped the darkness over the eyes, smiling mischievously. When I came near the bank of chrysanthemums, I saw a figure stretched on the grass in front. My heart gave a sudden thud. The figure also sat up with a start at my footsteps.
What was to be done next? I was wondering whether it would do to beat a precipitate retreat. Bimala, also, was doubtless casting about for some way of escape. But it was as awkward to go as to stay! Before I could make up my mind, Bimala rose, pulled the end of her __sari__ over her head, and walked off towards the inner apartments.
This brief pause had been enough to make real to me the cruel load of Bimala's misery. The plaint of my own life vanished from me in a moment. I called out: "Bimala!"
She started and stayed her steps, but did not turn back. I went round and stood before her. Her face was in the shade, the moonlight fell on mine. Her eyes were downcast, her hands clenched.
"Bimala," said I, "why should I seek to keep you fast in this closed cage of mine? Do I not know that thus you cannot but pine and droop?"