[15] Nobleman’s residence.
[16] In the mediæval poems the shade of the Lindenbaum is the favourite scene of gallant adventures.
[17] The heroes of the old German poetry are frequently called by the epithet “sword”—ein Degen stark; ein Degen hehr; Wittich der Degen, &c., &c.
[18] Hildebrand, son of Duke Herbrand and brother of the Monk Ilsau, one of the persons of the romance of “Kriemhild’s Rose-garden,” is the Nestor of German myths. He was the instructor of Dietrich von Bern (Theodoric of Verona). We find him sought as the wise counsellor in various undertakings celebrated in the mediæval epics; he is reputed to have lived to the age of 200 years.
[19] This was commonly the office of the daughter of the house.
[20] This would appear to have been the usual custom in the middle ages after a meal.
[21] See note, p. 35.
[22] The German legends are inclined to extol the heroism of Dietrich von Bern, better known to us as Theodoric, King of the Visigoths, who, after his conquests in Italy, built a palace at Verona, and made it his seat of government; but the traditions of Verona ascribe his great strength and success, both as a hunter and warrior, to a compact with the Evil One. His connexion with the Arians, his opposition towards the Popes, and his violent destruction of the churches of Verona, were sufficient to convince the popular mind at his date that his strength was not from above. Procopius relates that his remorse for the death of Symmachus haunted him so, that one day when the head of a great fish was served at table, it appeared to him as the head of his murdered relative, and he became so horrified that he was never able to eat any thing afterwards. The Veronese tradition is, that by his pact with the devil, evil spirits served him in the form of dogs, horses, and huntsmen, until the time came that they drove him forth into their own abode (Mattei Verona Illustrata). In the church of St. Zeno at Verona this legend may be seen sculptured in bas-relief over the door. In the mythology of some parts of Germany he is identified, or confounded, with the Wild Huntsman (Börner, Sagen aus dem Orlagau, pp. 213, 216, 236). In the Heldenbuch he is called the son of an evil spirit. He is there distinguished by a fiery breath, with which he overcomes dwarfs and giants; but he is said to be ultimately carried off into the wilds by a demon-horse, upon which he has every day to fight with two terrible dragons until the Judgment Day. Nork cites a passage from Luther’s works, in which he speaks of him (cursorily) as the incarnation of evil, showing how he was regarded in Germany at his day (“It is as if I should undertake to make Christ out of Dietrich von Bern”—Als wenn ich aus Dietrich von Bern Christum machen wollte).
[23] Wigand, man of valour.
[24] We often find the heroes’ trusty swords called by a particular name: thus Orlando’s was called Durindarda, it is so inscribed in his statue in the porch of the Duomo at Verona; and the name of King Arthur’s will occur to every one’s memory.