Der Ehre wie der Liebe werth.[15]
Another object of interest, in the same churchyard, is a wooden crucifix, carved by Joseph Stocker in 1691; as well as the monuments of the Fiegers, and other high families of the middle ages. In the church itself is a ‘Salvator Mundi’ of Albert Dürer, on panel; the altarpiece of the high altar is by Erasmus Quillinus, a pupil of Rubens. One of the chapels, the Waldaufische Kapelle, was built in 1493–5, by one Florian von Waldauf, to whom an eventful history attaches. He was a peasant boy, whom his father’s severity drove away from home: for a long time he maintained himself by tending herds; after that he went for a soldier in the Imperial army, where his talents brought him under the special notice of the Emperor Frederick, and his son Maximilian I., who took him into their councils and companionship. Maximilian made him knight of Waldenstein, and gifted him with lands and revenues. His love of adventure took him into many countries. On one journey, being in a storm at sea, the memory of his early wilfulness overcame him, and he vowed that if he came safe to land, he would build a chapel in his Tirolean home. He subsequently fixed on the Pfarrkirche of Hall, as that in which to fulfil his vow, being the parish church of the castle of Rettenberg which Maximilian had bestowed on him, and enriched it with a wondrous store of relics, which he had collected in his journeyings. Above 40,000 pilgrims flocked from every part of Tirol, to assist at the consecration; and a goodly sight it must have been, when singing and bearing the relics aloft, they streamed down the mountain side and across the river, the last of the procession not having yet left the gates of Castle Rettenberg, while the foremost had already reached the chapel.
There are other churches in Hall; where that of S. Saviour now stands was once a group of crazy cottages; but one day, in the year 1406, in one of them a poor man lay dying, and the priest bore him the holy Viaticum, which knows no distinction between the palace and the hovel: the furniture was as rickety as the tenements themselves; the only table, on which the priest had deposited the sacred vessels, propped against the wall for support, gave way by some accident, and the Santissimo was thrown upon the floor. Johann von Kripp, a wealthy burgher, hearing of what had befallen, bought the cottages, and in reparation for the desecration, built a church on the spot, with the dedication, zum Erlöser.
The town is well provided with educational and charitable institutions; the latter comprising a mad-house worth seeing, under Professor Kaplan, and a deaf and dumb school. The Franciscan monastery is, I think, the only unsuppressed religious house. In the Rathhaus is preserved a quaint old picture, representing the Emperor Sigismund, in hunting costume, coming to ask the assistance of the men of Hall against a conspiracy he had discovered in Innsbruck, assistance which loyal Hall was not slow to supply. Its situation made it a place of some importance to the defences of the country; and the regulations for calling the inhabitants under arms were very complete, so that this service was promptly rendered.
An amusing story is told in evidence of the ready gallantry of the men of Hall. There was a time when Hall was at feud with the neighbouring village of Taur: the watchman, stationed on the tower by night-time, rang the alarm, and announced that the enemy was advancing with lanterns in their hands; at the call to arms, every man jumped from his bed, and seized his weapon, eager to display his prowess against the foe. Prudent Salzmair[16] Zott, anxious to spare the shedding of neighbours’ blood, hastily donned a shirt of mail over his more penetrable night-gear, and proposed to ride out alone with a flag of truce, to know what meant the unseasonable attack. The warlike burghers with difficulty yielded to his representations, and not having the consolations of the fragrant weed wherewith to wile away their time, set to sharpening their swords and axes, and outvieing each other with many a fierce boast during his absence.
Meantime, Salzmair Zott proceeded on his way without meeting the ghost of a foe, or one ray from their lanterns, till he came to Taur itself, where everything lay buried in peaceful silence. Only as he came back he discovered what had given rise to the alarm: it was midsummer-tide, and a swarm of little worms of St. John[17] was soaring and fluttering over the fields like a troop provided with lanterns. So with a hearty laugh he despatched the townsmen, ready for the fight, back to their beds. And even now this humorous imitation of the Bauernkrieg[18] is a by-word for Quixotic enterprises.
Of all the numerous excursions round Hall, the strangest and most interesting is that to Salzberg, the source of the salt, the crystallizing of which and despatching it all over Tirol, to Engadein and to Austria, forms the staple industry of Hall. It is a journey of about three hours, though not much over eight miles, but rugged and steep, and in some parts rather frightful, particularly in the returning descent, for the Salzberg lies 6,300 feet above the sea: but there is a road for an einspanner all the way; entrance is readily obtained, and the gratuities for guide, lighting up, and boat over the subterranean salt lake, exceedingly moderate. There are records extant which shew that there were salt-works in operation in the neighbourhood of Hall early in the eighth century, but these would appear to have been fed by a salt spring which flowed at the foot of the mountain. In the year 1275, however, Niklas von Rohrbach, who seems to be always styled der fromme Ritter (the pious knight), frequently when on his hunting expeditions in the Hallthal, observed how the cattle and wild game loved to lick certain cliffs of the valley; this led him to test the flavour, and finding it rich in salt, he followed up the track till he came to the Salzberg itself, where he prudently conjectured there was an endless supply to be obtained.[19] Ever since this time the salt has been worked pretty much in the same way, namely, by hewing, later by blasting, vast chambers in the rock, which are then filled with water and closed up: at the end of some ten or twelve months, when the water is supposed to be thoroughly impregnated, it is run off through a series of conduits to Hall, where it is evaporated, a hundred pounds of brine yielding about a third the weight of salt. A considerable number of these chambers, an acre or two in extent, have been excavated in the course of time, and you are told that it would take more than a week to walk through all the passages connecting them. ‘Cars filled with rubbish pass you as you thread them,’ says an observant writer, ‘with frightful rapidity; you step aside into a niche, and the young miners seated in the front look like gnomes directing infernal chariots. The crystallizations in some of these chambers lighted up by the torches of a party of visitors have a magical effect, and recall the gilded fret-work of some Moorish palaces. There is a tradition that Hofer and Speckbacher, who never, before their illustrious campaigns, had wandered so far as these few miles from their respective homes, took advantage of the lull succeeding their first triumph at Berg Isel, to come over and visit the strange labyrinths of the Salzberg. It is hardly possible to exaggerate the effect which such a scene might produce on minds so imaginative, and at the same time so unsophisticated. It is not difficult to believe that they regarded such a journey like a visit to the abode of the departed great, or that in presence of the oppressive grandeurs of nature they should have matured their spirit for the defence of their country which was to confound the strategy of practised generals.
Returning through the dark forests of pine and the steep cliffs of the Hallthal, otherwise called the Salzthal, you are arrested by the hamlet of Absam, which in your hurry to push forward you overlooked in the morning. Before reaching it you observe to the east, on an eminence rising out of the plain, Schloss Melans, now serving as a villa to a family of Innsbruck. The peasants have a curious story to account for the rudely sculptured dragons which adorn some of the eave-boards of their houses, though no singular mode of ornamentation, and by others accounted for differently.[20] They say that in olden time there was a wonderful old hen which laid her first egg when seven years old, and when the egg was hatched a dragon crept out of it,[21] which made itself a home in the neighbouring moor, and the people in memory of the prodigy carved its likeness on their houses.
In Absam itself once lived a noble family of the name of Spaur, which had a toad for a bearing on their shield, accounted for in the following way:—‘A certain Count Spaur had committed a crime by which he had incurred the penalty of death; his kinsmen having put every means in motion to get the sentence remitted, his pardon was at last accorded them on the condition that he should ride to Babylon the Accursed, and bring home with him a monstrous toad which infested the tower. So the knight rode forth to Babylon the Accursed, and when he drew near the tower the monstrous toad came out and seized the bridle of the knight’s horse; the knight, nothing daunted at the horrid apparition, lifted his good sword and hewed the monster to the ground, bringing the corpse back with him as a trophy.’
What audacious tales! Could anyone out of a dream put such ideas together? No writer of fiction, none but one who believed them possible of accomplishment! ‘Who can tell what gives to these simple old stories their irresistible witchery?’ says Max Müller. ‘There is no plot to excite our curiosity, no gorgeous description to dazzle our eyes, no anatomy of human passion to rivet our attention. They are short and quaint, full of downright absurdities and sorry jokes. We know from the beginning how they will end. And yet we sit and read and almost cry, and we certainly chuckle, and are very sorry when