Stephen stood as though turned to stone for a moment, not so much as a muscle twitched; then she handed the letter back to her mother without speaking, and in silence Anna received it. ‘Stephen—when you know what I’ve done, forgive me.’ The childish scrawl seemed suddenly on fire, it seemed to scorch Stephen’s fingers as she touched it in her pocket—so this was what Angela had done. In a blinding flash the girl saw it all; the miserable weakness, the fear of betrayal, the terror of Ralph and of what he would do should he learn of that guilty night with Roger. Oh, but Angela might have spared her this, this last wound to her loyal and faithful devotion; this last insult to all that was best and most sacred in her love—Angela had feared betrayal at the hands of the creature who loved her!
But now her mother was speaking again: ‘And this—read this and tell me if you wrote it, or if that man’s lying.’ And Stephen must read her own misery jibing at her from those pages in Ralph Crossby’s stiff and clerical handwriting.
She looked up: ‘Yes, Mother, I wrote it.’
Then Anna began to speak very slowly as though nothing of what she would say must be lost; and that slow, quiet voice was more dreadful than anger: ‘All your life I’ve felt very strangely towards you;’ she was saying, ‘I’ve felt a kind of physical repulsion, a desire not to touch or to be touched by you—a terrible thing for a mother to feel—it has often made me deeply unhappy. I’ve often felt that I was being unjust, unnatural—but now I know that my instinct was right; it is you who are unnatural, not I. . . .’
‘Mother—stop!’
‘It is you who are unnatural, not I. And this thing that you are is a sin against creation. Above all is this thing a sin against the father who bred you, the father whom you dare to resemble. You dare to look like your father, and your face is a living insult to his memory, Stephen. I shall never be able to look at you now without thinking of the deadly insult of your face and your body to the memory of the father who bred you. I can only thank God that your father died before he was asked to endure this great shame. As for you, I would rather see you dead at my feet than standing before me with this thing upon you—this unspeakable outrage that you call love in that letter which you don’t deny having written. In that letter you say things that may only be said between man and woman, and coming from you they are vile and filthy words of corruption—against nature, against God who created nature. My gorge rises; you have made me feel physically sick—’
‘Mother—you don’t know what you’re saying—you’re my mother—’
‘Yes, I am your mother, but for all that, you seem to me like a scourge. I ask myself what I have ever done to be dragged down into the depths by my daughter. And your father—what had he ever done? And you have presumed to use the word love in connection with this—with these lusts of your body; these unnatural cravings of your unbalanced mind and undisciplined body—you have used that word. I have loved—do you hear? I have loved your father, and your father loved me. That was love.’
Then, suddenly, Stephen knew that unless she could, indeed, drop dead at the feet of this woman in whose womb she had quickened, there was one thing that she dared not let pass unchallenged, and that was this terrible slur upon her love. And all that was in her rose up to refute it; to protect her love from such unbearable soiling. It was part of herself, and unless she could save it, she could not save herself any more. She must stand or fall by the courage of that love to proclaim its right to toleration.
She held up her hand, commanding silence; commanding that slow, quiet voice to cease speaking, and she said: ‘As my father loved you, I loved. As a man loves a woman, that was how I loved—protectively, like my father. I wanted to give all I had in me to give. It made me feel terribly strong . . . and gentle. It was good, good, good—I’d have laid down my life a thousand times over for Angela Crossby. If I could have, I’d have married her and brought her home—I wanted to bring her home here to Morton. If I loved her the way a man loves a woman, it’s because I can’t feel that I am a woman. All my life I’ve never felt like a woman, and you know it—you say you’ve always disliked me, that you’ve always felt a strange physical repulsion. . . . I don’t know what I am; no one’s ever told me that I’m different and yet I know that I’m different—that’s why, I suppose, you’ve felt as you have done. And for that I forgive you, though whatever it is, it was you and my father who made this body—but what I will never forgive is your daring to try and make me ashamed of my love. I’m not ashamed of it, there’s no shame in me.’ And now she was stammering a little wildly, ‘Good and—and fine it was,’ she stammered, ‘the best part of myself—I gave all and I asked nothing in return—I just went on hopelessly loving—’ she broke off, she was shaking from head to foot, and Anna’s cold voice fell like icy water on that angry and sorely tormented spirit.