It was not until nearly the middle of July that Brockett took Stephen to Valérie Seymour’s. Valérie had been away for some time, and was even now only passing through Paris en route for her villa at St. Tropez.

As they drove to her apartment on the Quai Voltaire, Brockett began to extol their hostess, praising her wit, her literary talent. She wrote delicate satires and charming sketches of Greek mœurs—the latter were very outspoken, but then Valérie’s life was very outspoken—she was, said Brockett, a kind of pioneer who would probably go down to history. Most of her sketches were written in French, for among other things Valérie was bilingual; she was also quite rich, an American uncle had had the foresight to leave her his fortune; she was also quite young, being just over thirty, and according to Brockett, good-looking. She lived her life in great calmness of spirit, for nothing worried and few things distressed her. She was firmly convinced that in this ugly age one should strive to the top of one’s bent after beauty. But Stephen might find her a bit of a free lance, she was libre penseuse when it came to the heart; her love affairs would fill quite three volumes, even after they had been expurgated. Great men had loved her, great writers had written about her, one had died, it was said, because she refused him, but Valérie was not attracted to men—yet as Stephen would see if she went to her parties, she had many devoted friends among men. In this respect she was almost unique, being what she was, for men did not resent her. But then of course all intelligent people realized that she was a creature apart, as would Stephen the moment she met her.

Brockett babbled away, and as he did so his voice took on the effeminate timbre that Stephen always hated and dreaded: ‘Oh, my dear!’ he exclaimed with a high little laugh, ‘I’m so excited about this meeting of yours, I’ve a feeling it may be momentous. What fun!’ And his soft, white hands grew restless, making their foolish gestures.

She looked at him coldly, wondering the while how she could tolerate this young man—why indeed, she chose to endure him.

5

The first thing that struck Stephen about Valérie’s flat was its large and rather splendid disorder. There was something blissfully unkempt about it, as though its mistress were too much engrossed in other affairs to control its behaviour. Nothing was quite where it ought to have been, and much was where it ought not to have been, while over the whole lay a faint layer of dust—even over the spacious salon. The odour of somebody’s Oriental scent was mingling with the odour of tuberoses in a sixteenth century chalice. On a divan, whose truly regal proportions occupied the best part of a shadowy alcove, lay a box of Fuller’s peppermint creams and a lute, but the strings of the lute were broken.

Valérie came forward with a smile of welcome. She was not beautiful nor was she imposing, but her limbs were very perfectly proportioned, which gave her a fictitious look of tallness. She moved well, with the quiet and unconscious grace that sprang from those perfect proportions. Her face was humorous, placid and worldly; her eyes very kind, very blue, very lustrous. She was dressed all in white, and a large white fox skin was clasped round her slender and shapely shoulders. For the rest she had masses of thick fair hair, which was busily ridding itself of its hairpins; one could see at a glance that it hated restraint, like the flat it was in rather splendid disorder.

She said: ‘I’m so delighted to meet you at last, Miss Gordon, do come and sit down. And please smoke if you want to,’ she added quickly, glancing at Stephen’s tell-tale fingers.

Brockett said: ‘Positively, this is too splendid! I feel that you’re going to be wonderful friends.’

Stephen thought: ‘So this is Valérie Seymour.’