Very splendid it seemed to her now to have money, because of what money could do for Mary; in the shops they must sometimes behave like two children, having endless things dragged out for inspection. They drove to Versailles in the new touring car and wandered for hours through the lovely gardens. The Hameau no longer seemed sad to Stephen, for Mary and she brought love back to the Hameau. Then they drove to the forest of Fontainebleau, and wherever they went there was singing of birds—challenging, jubilant, provocative singing: ‘Look at us, look at us! We’re happy, Stephen!’ And Stephen’s heart shouted back: ‘So are we. Look at us, look at us, look at us! We’re happy!’

When they were not driving into the country, or amusing themselves by ransacking Paris, Stephen would fence, to keep herself fit—would fence as never before with Buisson, so that Buisson would sometimes say with a grin:

‘Mais voyons, voyons! I have done you no wrong, yet it almost appears that you wish to kill me!’

The foils laid aside, he might turn to Mary, still grinning: ‘She fence very well, eh, your friend? She lunge like a man, so strong and so graceful.’ Which considering all things was generous of Buisson.

But suddenly Buisson would grow very angry: ‘More than seventy francs have I paid to my cook and for nothing! Bon Dieu! Is this winning the war? We starve, we go short of our butter and chickens, and before it is better it is surely much worse. We are all imbeciles, we kind-hearted French; we starve ourselves to fatten the Germans. Are they grateful? Sacré Nom! Mais oui, they are grateful—they love us so much that they spit in our faces!’ And quite often this mood would be vented on Stephen.

To Mary, however, he was usually polite: ‘You like our Paris? I am glad—that is good. You make the home with Mademoiselle Gordon; I hope you prevent her injurious smoking.’

And in spite of his outbursts Mary adored him, because of his interest in Stephen’s fencing.

2

One evening towards the end of June, Jonathan Brockett walked in serenely: ‘Hallo, Stephen! Here I am, I’ve turned up again—not that I love you, I positively hate you. I’ve been keeping away for weeks and weeks. Why did you never answer my letters? Not so much as a line on a picture postcard! There’s something in this more than meets the eye. And where’s Puddle? She used to be kind to me once—I shall lay my head down on her bosom and weep. . . .’ He stopped abruptly, seeing Mary Llewellyn, who got up from her deep arm-chair in the corner.

Stephen said: ‘Mary, this is Jonathan Brockett—an old friend of mine; we’re fellow writers. Brockett, this is Mary Llewellyn.’