'Meanwhile,' said Bellarion, completely to reassure them, 'I see plainly enough that your message to her highness is scarce worth carrying.' And he flung himself down into his chair with simulated petulance.
The conference came to an end soon afterwards, and the conspirators went their ways again singly. Shortly after the departure of the last of them, Bellarion took his own, promising that he would return that night to Messer Barbaresco's house to inform him of anything her highness might desire him to convey. One last question he asked his host at parting.
'The pavilion in the palace gardens is being painted. Can you say by whom?'
Barbaresco's eyes showed that he found the question odd. But he answered that most probably one Gobbo, whose shop was in the Via del Cane, would be entrusted with the work.
Into that shop of Gobbo's, found by inquiry, Bellarion penetrated an hour later. Old Gobbo himself, amid the untidy litter of the place, was engaged in painting an outrageous scarlet angel against a star-flecked background of cobalt blue. Bellarion's first question ascertained that the painting of the pavilion was indeed in Gobbo's hands.
'My two lads are engaged upon it now, my lord.'
Bellarion winced at the distinguished form of address, which took him by surprise until he remembered his scarlet suit with its imposing girdle and gold-hilted dagger.
'The work progresses all too slowly,' said he sharply.
'My lord! My lord!' The old man was flung into agitation. 'It is a beautiful fresco, and ...'
'They require assistance, those lads of yours.'