But Valentina intervened, and rebuked them both. Yet to Francesco her rebuke was courteous, and ended in a prayer that he should do the best with such resources as Roccaleone offered; to Gonzaga it was contemptuous in the last degree, for Francesco's question—which Gonzaga had left unanswered—coming at a moment when she was full of suspicions of Gonzaga, and the ends he had sought to serve in advising her upon a course which he had since shown himself so utterly unfitted to guide, had opened wide her eyes. She remembered how strangely moved he had been upon learning yesterday that Gian Maria was marching upon Roccaleone, and how ardently he had advised flight from the fortress—he that had so bravely talked of holding it against the Duke.
They were still wrangling there in a most unseemly fashion when a trumpet-blast reached them from beyond the walls.
“The herald again,” she cried. “Come, Messer Francesco, let us hear what fresh message he brings.”
She led Francesco away, leaving Gonzaga in the shadow of the vines, reduced well-nigh to tears in the extremity of his mortification.
The herald was returned with the announcement that Valentina's answer left Gian Maria no alternative but to await the arrival of Duke Guidobaldo, who was then marching to join him. The Duke of Urbino's presence would be, he thought, ample justification in her eyes for the challenge Gian Maria had sent, and which he would send again when her uncle arrived to confirm it.
Thereafter, the remainder of the day was passed in peace at Roccaleone, if we except the very hell of unrest that surged in the heart of Romeo Gonzaga. He sat disregarded at supper that evening, save by Valentina's ladies and the fool, who occasionally rallied him upon his glumness. Valentina herself turned her whole attention to the Count, and whilst Gonzaga—Gonzaga, the poet of burning fancy, the gay songster, the acknowledged wit, the mirror of courtliness—was silent and tongue-tied, this ruffling, upstart swashbuckler entertained them with a sprightliness that won him every heart—always excepting that of Romeo Gonzaga.
Francesco made light of the siege in a manner that enlivened every soul present with relief. He grew merry at the expense of Gian Maria, and made it very plain that he could have found naught more captivating to his warlike fancy than this business upon which an accident had embarked him. He was as full of confidence for the issue as he was full of eager anticipation of the fray itself.
Is it wonderful that—never having known any but artificial men; men of court and ante-chamber; men of dainty ways and mincing, affected tricks of speech; in short, such men as circumstance ordains shall surround the great—Monna Valentina's eyes should open very wide, the better to behold this new pattern of a man, who, whilst clearly a gentleman of high degree, carried with him an air of the camp rather than the camerion, was imbued by a spirit of chivalry and adventure, and ignored with a certain lofty dignity, as if beneath his observance, the poses that she was wont to see characterising the demeanour of the gentlemen of his Highness, her uncle.
He was young, moreover, yet no longer callow; comely, yet with a strong male comeliness; he had a pleasantly modulated voice, yet one that they had heard swell into a compelling note of command; he had the most joyous, careless laugh in all the world—such a laugh as endears a man to all that hear it—and he indulged it without stint.
Gonzaga sat glum and moody, his heart bursting with the resentment of the mean and the incompetent for the man of brilliant parts. But the morrow was to bring him worse.