VIII. HIS INSOLENCE OF BUCKINGHAM
George Villier’s Courtship of Ann of Austria
He was Insolence incarnate.
Since the day when, a mere country lad, his singular good looks had attracted the attention of King James—notoriously partial to good-looking lads—and had earned him the office of cup-bearer to his Majesty, the career of George Villiers is to be read in a series of acts of violent and ever-increasing arrogance, expressing the vanity and levity inherent in his nature. Scarcely was he established in the royal favour than he distinguished himself by striking an offending gentleman in the very presence of his sovereign—an act of such gross disrespect to royalty that his hand would have paid forfeit, as by law demanded, had not the maudlin king deemed him too lovely a fellow to be so cruelly maimed.
Over the mind and will of King Charles his ascendancy became even greater than it had been over that of King James; and it were easy to show that the acts of George Villiers’ life supplied the main planks of that scaffold in Whitehall whereupon Charles Stuart came to lose his head. Charles was indeed a martyr; a martyr chiefly to the reckless, insolent, irresponsible vanity of this Villiers, who, from a simple country squire with nothing but personal beauty to recommend him, had risen to be, as Duke of Buckingham, the first gentleman in England.
The heady wine of power had gone to his brain, and so addled it that, as John Chamberlain tells us, there was presently a touch of craziness in him—of the variety, no doubt, known to modern psychologists as megalomania He lost the sense of proportion, and was without respect for anybody or anything. The Commons of England and the immensely dignified Court of Spain—during that disgraceful, pseudo-romantic adventure at Madrid—were alike the butts of this parvenu’s unmeasured arrogance But the crowning insolence of his career was that tragicomedy the second act of which was played on a June evening in an Amiens garden on the banks of the river Somme.
Three weeks ago—on the 14th May, 1625, to be precise—Buckingham had arrived in Paris as Ambassador Extra-ordinary, charged with the task of conducting to England the King of France’s sister, Henrietta Maria, who three days earlier had been married by proxy to King Charles.
The occasion enabled Buckingham to fling the reins on to the neck of his mad vanity, to indulge to the very fullest his crazy passion for ostentation and magnificence. Because the Court of France was proverbially renowned for splendour and luxury, Buckingham felt it due to himself to extinguish its brilliance by his own. On his first coming to the Louvre he literally blazed. He wore a suit of white satin velvet with a short cloak in the Spanish fashion, the whole powdered over with diamonds to the value of some ten thousand pounds. An enormous diamond clasped the heron’s plume in his hat; diamonds flashed in the hilt of his sword; diamonds studded his very spurs, which were of beaten gold; the highest orders of England, Spain, and France flamed on his breast. On the occasion of his second visit he wore a suit of purple satin, of intent so lightly sewn with pearls that as he moved he shook them off like raindrops, and left them to lie where they fell, as largesse for pages and the lesser fry of the Court.
His equipages and retinue were of a kind to match his personal effulgence. His coaches were lined with velvet and covered with cloth of gold, and some seven hundred people made up his train. There were musicians, watermen, grooms of the chamber, thirty chief yeomen, a score of cooks, as many grooms, a dozen pages, two dozen footmen, six outriders, and twenty gentlemen, each with his own attendants, all arrayed as became the satellites of a star of such great magnitude.
Buckingham succeeded in his ambition. Paris, that hitherto had set the fashion to the world, stared mouth-agape, dazzled by the splendour of this superb and scintillating ambassador.