“Ye’re just a very foolish liar, sir, and you deserve a good caning,” was all he said, but the way in which he took his cane from under his arm was so suggestive of more to follow there and then that several of the company laid preventive hands upon him instantly.
The Patriarch’s nephew, very white and very fierce to hear himself addressed in terms which—out of respect for his august and powerful uncle—had never been used to him before, demanded instant satisfaction. He got it next morning in the shape of half-an-ounce of lead through his foolish brain, and a terrible uproar ensued. To appease it a scapegoat was necessary. As Samoval so truly said, the mob is a ferocious god to whom sacrifices must be made. In this instance the sacrifice, of course, was Major Berkeley. He was broken and sent home to cut his pigtail (the adornment still clung to by the 29th) and retire into private life, whereby the British army was deprived of an officer of singularly brilliant promise. Thus, you see, the score against poor Richard Butler—that foolish victim of wine and circumstance—went on increasing.
But in my haste to usher Major Berkeley out of a narrative which he touches merely at a tangent, I am guilty of violating the chronological order of the events. The ship in which Major Berkeley went home to England and the rural life was the frigate Telemachus, and the Telemachus had but dropped anchor in the Tagus at the date with which I am immediately concerned. She came with certain stores and a heavy load of mails for the troops, and it would be a full fortnight before she would sail again for home. Her officers would be ashore during the time, the welcome guests of the officers of the garrison, bearing their share in the gaieties with which the latter strove to kill the time of waiting for events, and Marcus Glennie, the captain of the frigate, an old friend of Tremayne’s, was by virtue of that friendship an almost daily visitor at the adjutant’s quarters.
But there again I am anticipating. The Telemachus came to her moorings in the Tagus, at which for the present we may leave her, on the morning of the day that was to close with Count Redondo’s semi-official ball. Lady O’Moy had risen late, taking from one end of the day what she must relinquish to the other, that thus fully rested she might look her best that night. The greater part of the afternoon was devoted to preparation. It was amazing even to herself what an amount of detail there was to be considered, and from Sylvia she received but very indifferent assistance. There were times when she regretfully suspected in Sylvia a lack of proper womanliness, a taint almost of masculinity. There was to Lady O’Moy’s mind something very wrong about a woman who preferred a canter to a waltz. It was unnatural; it was suspicious; she was not quite sure that it wasn’t vaguely immoral.
At last there had been dinner—to which she came a full half-hour late, but of so ravishing and angelic an appearance that the sight of her was sufficient to mollify Sir Terence’s impatience and stifle the withering sarcasms he had been laboriously preparing. After dinner—which was taken at six o’clock—there was still an hour to spare before the carriage would come to take them into Lisbon.
Sir Terence pleaded stress of work, occasioned by the arrival of the Telemachus that morning, and withdrew with Tremayne to the official quarters, to spend that hour in disposing of some of the many matters awaiting his attention. Sylvia, who to Lady O’Moy’s exasperation seemed now for the first time to give a thought to what she should wear that night, went off in haste to gown herself, and so Lady O’Moy was left to her own resources—which I assure you were few indeed.
The evening being calm and warm, she sauntered out into the open. She was more or less annoyed with everybody—with Sir Terence and Tremayne for their assiduity to duty, and with Sylvia for postponing all thought of dressing until this eleventh hour, when she might have been better employed in beguiling her ladyship’s loneliness. In this petulant mood, Lady O’Moy crossed the quadrangle, loitered a moment by the table and chairs placed under the trellis, and considered sitting there to await the others. Finally, however, attracted by the glory of the sunset behind the hills towards Abrantes, she sauntered out on to the terrace, to the intense thankfulness of a poor wretch who had waited there for the past ten hours in the almost despairing hope that precisely such a thing might happen.
She was leaning upon the balustrade when a rustle in the pines below drew her attention. The rustle worked swiftly upwards and round to the bushes on her right, and her eyes, faintly startled, followed its career, what time she stood tense and vaguely frightened.
Then the bushes parted and a limping figure that leaned heavily upon a stick disclosed itself; a shaggy, red-bearded man in the garb of a peasant; and marvel of marvels!—this figure spoke her name sharply, warningly almost, before she had time to think of screaming.
“Una! Una! Don’t move!”