“Hear it? Hear what?”
“The music—the angelic melodies! And you can say that this place is a foul imposture; this holy image an impious fraud! And you a priest! Listen! It is a sign to warn you against stubborn unbelief.”
He listened, with frowning brows, a moment; then he smiled.
“Angelic melodies!” he echoed with gentlest scorn. “By what snares does the Devil delude men, using even suggested holiness for his purpose! That, boy—that is no more than the dripping of water into little wells of different depths, producing different notes. It is in there, in some cave in the mountain where the Bagnanza springs from the earth.”
I listened, half disillusioned by his explanation, yet fearing that my senses were too slavishly obeying his suggestion. “The proof of that? The proof!” I cried.
“The proof is that you have never heard it after heavy rain, or while the river was swollen.”
That answer shattered my last illusion. I looked back upon the time I had spent there, upon the despair that had beset me when the music ceased, upon the joy that had been mine when again I heard it, accepting it always as a sign of grace. And it was as he said. Not my unworthiness, but the rain, had ever silenced it. In memory I ran over the occasions, and so clearly did I perceive the truth of this, that I marvelled the coincidence should not earlier have discovered it to me.
Moreover, now that my illusions concerning it were gone, the sound was clearly no more than he had said. I recognized its nature. It might have intrigued a sane man for a day or a night. But it could never longer have deceived any but one whose mind was become fevered with fanatic ecstasy.
Then I looked again at the image in the niche, and the pendulum of my faith was suddenly checked in its counter-swing. About that image there could be no delusions. The whole country-side had witnessed the miracle of the bleeding, and it had wrought cures, wondrous cures, among the faithful. They could not all have been deceived. Besides, from the wounds in the breast there were still the brown signs of the last manifestation.
But when I had given some utterance to these thoughts Gervasio for only answer stooped and picked up a wood-man's axe that stood against the wall. With this he went straight towards the image.