“And this is my noble charge!” said he. “Salve! Be welcome to my house, Messer Agostino.”
I got to earth, accepted his proffered hand, and thanked him.
Meanwhile the grooms were unpacking my baggage, and from the house came hurrying an elderly servant to receive it and convey it within doors.
I stood there a little awkwardly, shifting from leg to leg, what time Doctor Fifanti pressed Arcolano to come within and rest; he spoke, too, of some Vesuvian wine that had been sent him from the South and upon which he desired the priest's rare judgment.
Arcolano hesitated, and his gluttonous mouth quivered and twitched. But he excused himself in the end. He must on. He had business to discharge in the town, and he must return at once and render an account of our safe journey to the Countess at Mondolfo. If he tarried now it would grow late ere he reached Mondolfo, and late travelling pleased him not at all. As it was his bones would be weary and his flesh tender from so much riding; but he would offer it up to Heaven for his sins.
And when the too-amiable Fifanti had protested how little there could be the need in the case of one so saintly as Messer Arcolano, the priest made his farewells. He gave me his blessing and enjoined upon me obedience to one who stood to me in loco parentis, heaved himself back on to his mule, and departed with the grooms at his heels.
Then Doctor Fifanti set a bony hand upon my shoulder, and opined that after my journey I must be in need of refreshment; and with that he led me within doors, assuring me that in his house the needs of the body were as closely cared for as the needs of the mind.
“For an empty belly,” he ended with his odious, sycophantic geniality, “makes an empty heart and an empty head.”
We passed through a hall that was prettily paved in mosaics, into a chamber of good proportions, which seemed gay to me after the gloom by which I had been surrounded.
The ceiling was painted blue and flecked with golden stars, whilst the walls were hung with deep blue tapestries on which was figured in grey and brownish red a scene which, I was subsequently to learn, represented the metamorphosis of Actaeon. At the moment I did not look too closely. The figures of Diana in her bath with her plump attendant nymphs caused me quickly to withdraw my bashful eyes.