We were much together in those days, Monna Giuliana and I. Our intimacy had grown over a little incident that it were well I should mention.
A young painter, Gianantonio Regillo, better known to the world as Il Pordenone, had come to Piacenza that summer to decorate the Church of Santa Maria della Campagna. He came furnished with letters to the Governor, and Gambara had brought him to Fifanti's villa. From Monna Giuliana the young painter heard the curious story of my having been vowed prenatally to the cloister by my mother, learnt her name and mine, and the hope that was entertained that I should walk in the ways of St. Augustine after whom I had been christened.
It happened that he was about to paint a picture of St. Augustine, as a fresco for the chapel of the Magi of the church I have named. And having seen me and heard that story of mine, he conceived the curious notion of using me as the model for the figure of the saint. I consented, and daily for a week he came to us in the afternoons to paint; and all the time Monna Giuliana would be with us, deeply interested in his work.
That picture he eventually transferred to his fresco, and there—O bitter irony!—you may see me to this day, as the saint in whose ways it was desired that I should follow.
Monna Giuliana and I would linger together in talk after the painter had gone; and this would be at about the time that I had my first lessons of Curial life from my Lord Gambara. You will remember that he mentioned Boccaccio to me, and I chanced to ask her was there in the library a copy of that author's tales.
“Has that wicked priest bidden you to read them?” she inquired, 'twixt seriousness and mockery, her dark eyes upon me in one of those glances that never left me easy.
I told her what had passed; and with a sigh and a comment that I would get an indigestion from so much mental nourishment as I was consuming, she led me to the little library to find the book.
Messer Fifanti's was a very choice collection of works, and every one in manuscript; for the doctor was something of an idealist, and greatly averse to the printing-press and the wide dissemination of books to which it led. Out of his opposition to the machine grew a dislike to its productions, which he denounced as vulgar; and not even their comparative cheapness and the fact that, when all was said, he was a man of limited means, would induce him to harbour a single volume that was so produced.
Along the shelves she sought, and finally drew down four heavy tomes. Turning the pages of the first, she found there, with a readiness that argued a good acquaintance with the work, the story of Abraam the Jew, which I desired to read as it had been set down. She bade me read it aloud, which I did, she seated in the window, listening to me.
At first I read with some constraint and shyness, but presently warming to my task and growing interested, I became animated and vivacious in my manner, so that when I ceased I saw her sitting there, her hands clasped about one knee, her eyes upon my face, her lips parted a little, the very picture of interest.