He discoursed of their feats of arms together, he described charges of horse that set my nerves a-tingle as in fancy I heard the blare of trumpets and the deafening thunder of hooves upon the turf. Of escalades, of surprises, of breaches stormed, of camisades and ambushes, of dark treacheries and great heroisms did he descant to fire my youthful fancy, to fill me first with delight, and then with frenzy when I came to think that in all these things my life must have no part, that for me another road was set—a grey, gloomy road at the end of which was dangled a reward which did not greatly interest me.
And then one day from fighting as an endeavour, as a pitting of force against force and astuteness against astuteness, he came to talk of fighting as an art.
It was from old Falcone that first I heard of Marozzo, that miracle-worker in weapons, that master at whose academy in Bologna the craft of swordsmanship was to be acquired, so that from fighting with his irons as a beast with its claws, by sheer brute strength and brute instinct, man might by practised skill and knowledge gain advantages against which mere strength must spend itself in vain.
What he told me amazed me beyond anything that I had ever heard, even from himself, and what he told me he illustrated, flinging himself into the poises taught by Marozzo that I might appreciate the marvellous science of the thing.
Thus was it that for the first time I made the acquaintance—an acquaintance held by few men in those days—of those marvellous guards of Marozzo's devising; Falcone showed me the difference between the mandritto and the roverso, the false edge and the true, the stramazone and the tondo; and he left me spellbound by that marvellous guard appropriately called by Marozzo the iron girdle—a low guard on the level of the waist, which on the very parry gives an opening for the point, so that in one movement you may ward and strike.
At last, when I questioned him, he admitted that during their wanderings, my father, with that recklessness that alternated curiously with his caution, had ventured into the city of Bologna notwithstanding that it was a Papal fief, for the sole purpose of studying with Marozzo that Falcone himself had daily accompanied him, witnessed the lessons, and afterwards practised with my father, so that he had come to learn most of the secrets that Marozzo taught.
One day, at last, very timidly, like one who, whilst overconscious of his utter unworthiness, ventures to crave a boon which he knows himself without the right to expect, I asked Falcone would he show me something of Marozzo's art with real weapons.
I had feared a rebuff. I had thought that even old Falcone might laugh at one predestined to the study of theology, desiring to enter into the mysteries of sword-craft. But my fears were far indeed from having a foundation. There was no laughter in the equerry's grey eyes, whilst the smile upon his lips was a smile of gladness, of eagerness, almost of thankfulness to see me so set.
And so it came to pass that daily thereafter did we practise for an hour or so in the armoury with sword and buckler, and with every lesson my proficiency with the iron grew in a manner that Falcone termed prodigious, swearing that I was born to the sword, that the knack of it was in the very blood of me.
It may be that affection for me caused him to overrate the progress that I made and the aptitude I showed; it may even be that what he said was no more than the good-natured flattery of one who loved me and would have me take pleasure in myself. And yet when I look back at the lad I was, I incline to think that he spoke no more than sober truth.