The sun rose, and its level river of light swept through the valley. A mist like vaporous opals rose slowly from the winding river below them, curling in the amber air and brushing itself in thin plumes over the pale sky. Down from the terrace stretched the great garden, where multitudinous lilies flashed in the first light with iridescent dew. A splendid peacock swept flauntingly through the mazy walks and among the white statues until it reached the central fountain, where it spread itself in the sun. At the foot of the last terrace, where the marble steps turned to serpentine in the still water, a small white boat with prow of gilded fretwork lay motionless among the opening water-lilies and the great blooms of the lotos. The breath of honeysuckle and jasmine and day-lilies and tuberoses drifted slowly up in the first stirring wind. The river-mist lifted, showing the golden meadows with the slim elms here and there and the lofty hills fringed with dark forests beyond.
"Malcolm," said Aurelian, "beyond those fortress hills lies the world,—the nineteenth century, seething with impotent tumult,—festering towns of shoe factories and cotton-mills, lying tradesmen and legalised piracy; pork-packing, stock-brokers, quarrelling and snarling sectaries, and railroads; politicians, mammonism, realism, and newspapers. Within my walls, which are the century-living pines, is the world of the past and of the future, of the fifteenth century and of the twentieth century. Here have I gathered all my treasures of art and letters; here may those I love find rest and refreshment when worn out with hopeless lighting. Suffer me to live here and forget, or live in a living dream of dreamless life. Against my hilly ramparts life may beat in vain,—it cannot enter. Here I am a King; humour my fancy, and give over your striving to make a poet into a warrior. There is other work before me. Even as in the monasteries of the sixth century the wise monks treasured the priceless records of a dead life until the night had passed and the white day of mediævalism dawned on the world, so suffer me to dream in my cloister through evil days; for the night has come when man may no longer work."
Here ends the Gospel of Inaction called the Decadent, which is privately issued for the Author by Copeland and Day, of Cornhill, Boston, in an edition limited to one hundred and ten copies on this yellow French handmade paper, and fifteen copies on thick Lalanne paper, which have been printed during October and November, MDCCCXCIII by John Wilson and Son, Cambridge, at the University Press. The Frontispiece and Initial letters are designed by Bertram Grosvenor Goodhue and cut upon wood by John Sample, Jr.
[Transcriber's Notes:]
Table of contents was added for this edition.
Page 1, changed "agressive" to "aggressive".