In the evening, when Jane and her friend, Ethel Murray, were on their way downtown, they heard the beat of a drum. Was it fancy, or was there in that beat something they had never heard in a drum beat before, something more insistent, more compelling? They hurried to Portage Avenue and there saw Winnipeg's famous historic regiment, the Ninetieth Rifles, march with quick, brisk step to the drum beat of their bugle band.
“Look,” cried Ethel, “there's Pat Scallons, and Ted Tuttle, and Fred Sharp, too. I did not know that he belonged to the Ninetieth.” And as they passed, rank on rank, Ethel continued to name the friends whom she recognised.
But Jane stood uttering no word. The sight of these lads stepping to the drum beat so proudly had sent a chill to her heart and tears to her eyes. “Oh, Ethel,” she cried, touching her friend's arm, “isn't it terrible?”
“Why, what's the matter?” cried Ethel, glancing at her. “Think of what they are marching to!”
“Oh, I can't bear it,” said Jane.
But Ethel was more engaged with the appearance of the battalion, from the ranks of which she continued to pick out the faces of her friends. “Look,” she cried, “that surely is not Kellerman! It is! It is! Look, Jane, there's that little Jew. Is it possible?”
“Kellerman?” cried Jane. “No, it can't be he. There are no Jews in the Ninetieth.”
“But it is,” cried Ethel. “It is Kellerman. Let us go up to Broadway and we shall meet them again.”
They turned up a cross street and were in time to secure a position from which they could get a good look at the faces of the lads as they passed. The battalion was marching at attention, and so rigid was the discipline that not a face was turned toward the two young ladies standing at the street corner. A glance of the eye and a smile they received from their friends as they passed, but no man turned his head.
“There he is,” said Jane. “It is Kellerman—in the second row, see?”