CHAPTER VIII
FREE SPEECH
Fifty years ago Blackwater town was a sawmill village on the Blackwater River which furnished the power for the first little sawmill set up by Grant Maitland's father.
Down the river came the sawlogs in the early spring when the water was high, to be caught and held by a “boom” in a pond from which they were hauled up a tramway to the saw. A quarter of a mile up stream a mill race, tapping the river, led the water to an “overshot wheel” in the early days, later to a turbine, thus creating the power necessary to drive the mill machinery. When the saw was still the water overflowed the “stop-logs” by the “spillway” into the pond below.
But that mill race furnished more than power to the mill. It furnished besides much colourful romance to the life of the village youth of those early days. For down the mill race they ran their racing craft, jostling and screaming, urging with long poles their laggard flotillas to victory. The pond by the mill was to the boys “swimming hole” and fishing pool, where, during the long summer evenings and through the sunny summer days, they spent amphibious hours in high and serene content. But in springtime when the pond was black with floating logs it became the scene of thrilling deeds of daring. For thither came the lumber-jacks, fresh from “the shanties,” in their dashing, multi-colored garb, to “show off” before admiring friends and sweethearts their skill in “log-running” and “log-rolling” contests which as the spirit of venture grew would end like as not in the icy waters of the pond.
Here, too, on brilliant winter days the life of the village found its centre of vivid interest and activity. For then the pond would be a black and glittering surface whereon wheeled and curved the ringing, gleaming blades of “fancy” skaters or whereon in sterner hours opposing “shinny” teams sought glory in Homeric and often gory contest.
But those days and those scenes were now long since gone. The old mill stood a picturesque ruin, the water wheel had given place to the steam engine, the pond had shrunk to an insignificant pool where only pollywogs and minnows passed unadventurous lives, the mill race had dwindled to a trickling stream grown thick with watercress and yellow lilies, and what had once been the centre of vigorous and romantic life was now a back water eddy devoid alike of movement and of colour.
A single bit of life remained—the little log cottage, once the Manager's house a quarter of a century ago, still stood away up among the pines behind the old mill ruin and remote from the streets and homes of the present town. At the end of a little grassy lane it stood, solid and square, resisting with its well hewn pinelogs the gnawing tooth of time. Abandoned by the growing town, forgotten by the mill owner, it was re-discovered by Malcolm McNish, or rather by his keen eyed old mother on their arrival from the old land six months ago. For a song McNish bought the solid little cottage, he might have had it as a gift but that he would not, restored its roof, cleared out its stone chimney which, more than anything else, had caught the mother's eye, re-set the window panes, added a wee cunning porch, gave its facings a coat of paint, enclosed its bit of flower garden in front and its “kale yaird” in the rear with a rustic paling, and made it, when the Summer had done its work, a bonnie homelike spot which caught the eye and held the heart of the passer-by.
The interior more than fulfilled the promise of the exterior. The big living room with its great stone fireplace welcomed you on opening the porch door. From the living room on the right led two doors, each giving entrance to a tiny bedroom and flanking a larger room known as “the Room.”