"Chub's tambourine flew whirling out of his hands."
The orchestra, a Silver Cove combination of piano, flute and violin, did wonderfully considering the fact that it had attended but one rehearsal. The solos, especially Mr. Cobb's and Tom Forrest's, were cordially received. Harris and Kirby buried the hatchet temporarily and got through "Shine, Silv'ry Star" most brilliantly and had to give an encore. Mr. Cobb and Mr. Buckman did a ludicrous negro song which brought the house down, though not in the same way as Post had. The chorus work was good and the jokes took just as well as though they had been all fresh and new. Some few of them were. When Post asked Rogers if he knew what the principal article of diet was at the school across the river, and when he was finally prevailed on to dispel the interlocutor's ignorance and replied "Hammond eggs," the visitors from Hammond shrieked their appreciation. When Harris explained that Ferry Hill was the brightest school in the country because the students had their wits sharpened by Emery, the Doctor chuckled most appreciatively. Even the punning joke to which Jack Rogers had taken exception and which related the matrimonial adventures of Mr. Cobb and a fictitious Miss Webb went well.
Chub's imitations were distinctly clever, that of Mr. Buckman coaching the crew throwing the Ferry Hill portion of the assemblage, at least, into convulsions. Sid "did his worst," according to promise, and made a hit more by his earnest desire to please than by any musical results obtained from his banjo. Mr. Cobb's monologues were screamingly funny and he had hard work getting away from the audience. Professor Carlos Cole, better known as Charlie Cole of the Middle Class, didn't quite make good all the promises of the programme, but executed some clever tricks of palming and even managed, with some difficulty, to extract one of Harry's pigeons out of an empty bottle—with the aid of a voluminous handkerchief which fluttered suspiciously when produced. The sketch entitled "Christmas Eve on the Plantation" went better than anyone dared hope, principally, perhaps, for the reason that about everybody forgot his lines and did what and how he pleased. The first half came to a triumphant end with the entire company of entertainers filling the little stage and vigorously proclaiming that they were "going to live, anyhow, until they died."
During the intermission black-faced youths emerged from the dressing-room under the balcony and visited friends in the audience and the orchestra performed its "Medley of College Airs." The programme's announcement of College Tableaux had whetted the audience's curiosity, and when the hall darkened, the bell tinkled and the curtain—still on its good behaviour—rolled noiselessly up, there was a general craning forward of heads.
The painted back drop had given way to a curtain of white cloth. In front of it stood a large oblong frame of wood covered with gilt paper. Behind the latter, like a picture in its frame, stood Bacon on a little white-draped dais impersonating a Yale oarsman. His costume was a blue sleeveless jersey with a white Y stitched on it, white trunks, turned-down socks and rowing shoes. In his right hand he supported an oar with a blue blade. A gas pipe had been run around the inner side of the frame and the dozens of little jets threw a brilliant light on the motionless figure. The applause was instant and hearty. Bacon kept the pose for a minute while the orchestra played "Boola," and then the curtain fell again. Presently it went up to reveal Roy in his crimson sweater, moleskin trousers, crimson stockings and tan shoes. A white H adorned the front of the sweater and under his arm was a football. Again the applause, quite as hearty as before, while the strains of "Up the Street" came from the orchestra.
Chub, who came next, represented a Princeton baseball player, striped stockings on his sturdy legs, gray shirt over his black jersey, a gray cap set rakishly over his smiling face and a mask and ball under his arm. The applause seemed to be more a tribute to Chub, the captain of the Ferry Hill Nine, than to the picture he made or the college he represented. After the music of "Old Nassau" had ceased the curtain fell once more. Then followed Warren as a Cornell oarsman, Gallup as a Columbia tennis player and Tom Forrest, with a sixteen-pound hammer behind him, poised for a throw. Forrest wore Dartmouth's colors and made an unmistakable hit.
But the audience was agog for the next picture. Harry had devised the tableaux and had insisted upon being allowed to appear as Vassar. And although to Jack and Chub and Roy a girl's college had seemed out of place on the programme, yet they were too grateful to Harry for her assistance to think of refusing her. And when the curtain rolled up for the last time they were all very glad they hadn't. For Harry was the success of the evening.
She was standing two-thirds-face to the audience, a black mortar-board cap on her head, a flowing black gown reaching to her feet and a book under her arm. The pose was grace itself. But the crowning glory of the picture was Harry's hair. She had coiled it at the back of her little head, thereby adding several years to her apparent age, and the intense light of the sizzling gas-jets made it glow and shimmer like red gold. A very bright, happy and demure-looking Vassar student she made, and a pretty one, too. Roy, watching from the wings, could hardly believe that the smiling, grown-up young lady in front of him was the red-haired little minx who had "sassed" him so sharply in the stable yard that first day of their acquaintance!
The applause grew and grew; at the back of the hall John, the gardener, had forgotten his awe of the surroundings and was "hurrahing" loudly, egged on by the admiring women servants. And then suddenly the applause gave place to cries of alarm. Persons in the front row sprang to their feet. Those behind them pushed back their chairs and, without knowing the cause, became imbued with the panic of those in front. Someone cried "Fire!" and instantly the place was in an uproar.