Henricus Wottonius post tres apud Venetos Legationes ordinarias in Etonensis Collegii beato sinu senescens, eiusque cum suavissima inter Se Sociosque concordia annos iam XII. Praefectus Hanc miram Vrbis quasi natantis effigiem in aliquam sui memoriam iuxta Socialem Mensam affixit, 1636.
On the picture itself may be seen the words, “Opus Odoardus Fialettus, 1611.”
Near the oriel window there still stands the iron reading-desk from which in old times a scholar used to read out passages of Holy Writ. In early days he appears to have been known as “the Bibler.”
BURNT TAPESTRY
Before the restoration of the Hall two pieces of tapestry given by a Fellow—Adam Robyns—in 1613 used to be hung beneath the west window at Election time. They represented the flight into Egypt and Christ teaching in the Temple. When the Hall had been restored and the ornate modern panelling or screen set up where this tapestry used to hang, it was relegated to the bake-house. This was burnt in 1875, and the tapestry, together with the green rugs given to the Collegers by the Duke of Cumberland in 1735, were utterly destroyed in the conflagration. These rugs or coverlets were edged with gold braid and embroidered with the College arms.
The College Hall before Restoration.
From an old print.
Up to the period of the modern alterations the Hall was warmed by a circular charcoal brazier standing beneath the louvre or opening in the roof. In 1858, however, the three large fireplaces discovered behind the panelling were taken into use; they had never had chimneys before. Hot-water pipes now also assist to warm the Hall.
On the walls hang some eighteen portraits, all of Collegers except two, representing George III. and Sir Thomas Smith. The Rev. John Wilder, the well-meaning Fellow who spent such large sums of money in altering and restoring Hall and Chapel, is commemorated by a brass in the south-west corner.