Numerous names carved on the shutters and pillars of this room are striking links with the remote past. The names in question, it would appear, are in the vast majority of instances those of Collegers elected from Eton to King’s. They begin on the westernmost window on the north side, the earliest name discoverable being that of Kemp, 1577, somewhere about the middle of the shutter. On the first shutter on the left-hand side of the third room is the mark of a name which has been erased. This is supposed to have been that of Greenhall, who, leaving King’s College, became a highwayman and was captured, hanged, and dissected.
Samuel Pepys, who visited Eton in 1666, was very pleased with Lower School. This favourable impression is recorded in his diary:—
All mighty fine. The School good, and the custom pretty of boys cutting their names in the shuts of the window when they go to Cambridge, by which many a one hath lived to see himself a Provost and Fellow, that hath his name in the window standing.
Over Lower School was the ancient “Long Chamber,” now turned into the junior Collegers’ dormitory. It once extended the whole length of the school-yard, with the exception of the space occupied by the Headmaster’s chamber at the west end, and that of the Lower Master at the east. Its length was considerably lessened in 1844, and since that time it has been divided by partitions into “stalls” or “cubicles,” so that little of the original appearance of the interior remains.
When Long Chamber was broken up into cubicles, old Plumtre, one of the Fellows, preached a sermon on the text, “And Elisha said, Let every man take unto himself a beam, for the place we have made is too strait for us.” Plumtre was a staunch old Tory, who hated the Reform Bill. For one whole night he walked round and round the Eton cloisters, praying and waiting for the expected news of its defeat.
THE CHAPEL
The Eton College Chapel was built in 1441, the foundation-stone being laid by King Henry VI. in person on Passion Sunday of that year. It was finished by Waynflete, who was Eton’s benefactor till his death in 1484. Owing no doubt to lack of means, the latter curtailed the original design, which provided for a nave 168 feet long stretching down what is now Keate’s Lane and finished the building with the Ante-Chapel, which still remains. A wooden rood-loft was erected over the chancel arch, with a crucifix between wooden figures of St. Mary and St. John, whilst stalls and frescoes, ordered to be wiped out in 1560, completed an interior which must have been beautiful and picturesque. Lupton’s Chapel, in which is Provost Lupton’s brass, was built by him in 1515. Here is now the tablet giving the names of those who fell in the South African War.
At the time of the Reformation there was naturally a good deal of iconoclastic destruction, and at the end of the seventeenth century the Chapel had suffered severely from dilapidation and neglect. In 1699-1700, under Provost Godolphin, however, a general remodelling of the Chapel had been undertaken, it would seem probable, under the direction of Wren. In the course of the alterations the floor would appear to have been raised, whilst the walls were covered nearly up to the windows with panelling of simple though good design. A classical organ-loft with fine decorative carving was at that time placed across the choir near the second window from the west end.
During the eighteenth century the interior of the Eton Chapel evoked nothing but praise, but with the mania for restoration which characterised the Victorian era, some desire for drastic alterations began to make itself felt. Whilst the general appearance of the Chapel was dignified and stately, there were undoubtedly certain disfigurements, the chief amongst them two great box-like pews at the east end, specially allotted to the male and female College servants. An elaborate altar-piece of inlaid wood, entirely concealing the east end, though good of its kind, was somewhat heavy and out of place. Good or bad, however, all the woodwork was soon to disappear.
