Some honours grace my name, the meed is thine.

My boyhood’s nurse, my aged dust receive,

And one last tear of kind remembrance give!

Lord Wellesley was deeply attached to his old school, and some of the last productions of his pen were dedicated to Eton. Consequently it was only fitting that when he died, in testimony of the strong affection which he entertained towards the place where he received his first impressions of literary taste, and in accordance with his desire expressed before his death, his body should be laid to rest beneath the College Chapel of Eton—that spot of earth which, through a long and arduous life in many lands, was ever the nearest and dearest to his heart. The new Lower Chapel, built 1889-1891, also contains a memorial to Lord Wellesley in a stained-glass window, the gift of the late Mr. A. Montgomery, who was once his private secretary.

Two Eton Headmasters are commemorated by monuments on the right towards the eastern end of the Chapel. These are Dr. Balston and Dr. Hawtrey, the last person to be buried within the Chapel walls. On his breast is a badge with the arms of Scotland and the motto Nemo me impune lacessit just showing. This badge recalls an old Eton usage[6] now extinct. The most modern monument is a statue of Henry VI., put up over the north door to the memory of the late Mr. J. P. Carter, for many years one of the Assistant Masters.

PINNACLES—OLD AND NEW

In 1876, owing to much of the Headington stone used by Waynflete having become decayed, the whole of the exterior of the Ante-Chapel was entirely refaced.[7] This, with other restorations, of necessity impaired a good deal of its ancient charm. On the whole the renovation was carried out with care, but it is to be regretted that the old pinnacles were then entirely removed and new ones (designed in a highly ornate style of Gothic for which there is no authority[8]) erected under the direction of Mr. Woodyer. The old pinnacles had last been repaired in 1698-1699. A curious circumstance connected with them is that during their removal fragments of the ancient reredos—destroyed in 1546-1548—were discovered to have been built into their fabric. Whatever may have been the demerits of the old pinnacles, one or two of them which had suffered least from the hands of time should have been allowed to remain in place, so that future generations might realise the original design which modern taste, or lack of taste, has chosen to discard.

One of the most interesting architectural features of the College Chapel is the ancient holy water stoup on the right-hand side of the door of the south porch. As may be seen in old prints, the service bell was formerly in a sort of dovecot (irreverently called by some a larder) placed on the roof of the porch. Here also hung the knell bell, which, as long as the College Chapel remained the Eton Parish Church, was tolled for all funerals. The service bell still in use, hanging in the turret at the south-western angle, bears the inscription “Prayes Ye Lord, 1637.”

In a niche on the west wall of the Ante-Chapel, facing the street, a statue of William Waynflete was placed in 1893. This was subscribed for by some old Etonians connected with Sussex. The task of designing it was entrusted to Sir Arthur Blomfield, who produced one of the very few bits of commendable modern work in Eton. Indeed, this little statue, beneath an elaborate canopy, may be called the only real artistic improvement carried out within the last seventy years, during which time so much labour and money have been devoted to what in some cases amounts to mere wanton destruction. Of the new quadrangle and Lower Chapel, built by Sir Arthur Blomfield 1889-1891, little need here be said. On the whole, the architect has done his work well, and no doubt, under the mellowing influence of time, the Queen’s schools will assume something of that picturesque aspect which in some slight degree already pertains to the New Schools completed by Mr. Woodyer in 1863.

LOWER CHAPEL