Letters and social aims

by Ralph Waldo Emerson

Thoughts let us into realities. Neither miracle, nor magic, nor any religious tradition, not the immortality of the private soul, is incredible, after we have experienced an insight, a thought. I think it comes to some men but once in their life, sometimes a religious impulse, sometimes an intellectual insight. But what we want is consecutiveness. 'Tis with us a flash of light, then a long darkness, then a flash again. The separation of our days by sleep almost destroys identity. Could we but turn these fugitive sparkles into an astronomy of Copernican worlds! With most men, scarce a link of memory holds yesterday and to-day together. Their house and trade and families serve them as ropes to give a coarse continuity. But they have forgotten the thoughts of yesterday; they say to-day what occurs to them, and something else to-morrow. This insecurity of possession, this quick ebb of power,—as if life were a thunder-storm wherein you can see by a flash the horizon, and then cannot see your hand,—tantalizes us. We cannot make the inspiration consecutive. A glimpse, a point of view that by its brightness excludes the purview, is granted, but no panorama. A fuller inspiration should cause the point to flow and become a line, should bend the line and complete the circle. To-day the electric machine will not work, no spark will pass; then presently the world is all a cat's back, all sparkle and shock. Sometimes there is no sea-fire, and again the sea is aglow to the horizon. Sometimes the Æolian harp is dumb all day in the window, and again it is garrulous, and tells all the secrets of the world. In June the morning is noisy with birds; in August they are already getting old and silent.

Hence arises the question, Are these moods in any degree within control? If we knew how to command them! But where is the Franklin with kite or rod for this fluid?—a Franklin who can draw off electricity from Jove himself, and convey it into the arts of life, inspire men, take them off their feet, withdraw them from the life of trifles and gain and comfort, and make the world transparent, so that they can read the symbols of nature? What metaphysician has undertaken to enumerate the tonics of the torpid mind, the rules for the recovery of inspiration? That is least within control which is best in them. Of the modus of inspiration we have no knowledge. But in the experience of meditative men there is a certain agreement as to the conditions of reception. Plato, in his seventh Epistle, notes that the perception is only accomplished by long familiarity with the objects of intellect, and a life according to the things themselves. "Then a light, as if leaping from a fire, will on a sudden be enkindled in the soul, and will then itself nourish itself."

He said again, "The man who is his own master knocks in vain at the doors of poetry." The artists must be sacrificed to their art. Like the bees, they must put their lives into the sting they give. What is a man good for without enthusiasm? and what is enthusiasm but this daring of ruin for its object? There are thoughts beyond the reaches of our souls; we are not the less drawn to them. The moth flies into the flame of the lamp; and Swedenborg must solve the problems that haunt him, though he be crazed or killed.

There is genius as well in virtue as in intellect. 'Tis the doctrine of faith over works. The raptures of goodness are as old as history and new with this morning's sun. The legends of Arabia, Persia, and India are of the same complexion as the Christian. Socrates, Menu, Confucius, Zertusht,—we recognize in all of them this ardor to solve the hints of thought.

I hold that ecstasy will be found normal, or only an example on a higher plane of the same gentle gravitation by which stones fall and rivers run. Experience identifies. Shakspeare seems to you miraculous; but the wonderful juxtapositions, parallelisms, transfers, which his genius effected were all to him locked together as links of a chain, and the mode precisely as conceivable and familiar to higher intelligence as the index-making of the literary hack. The result of the hack is inconceivable to the type-setter who waits for it.

We must prize our own youth. Later, we want heat to execute our plans: the good-will, the knowledge, the whole armory of means, are all present; but a certain heat that once used not to fail refuses its office, and all is vain until this capricious fuel is supplied. It seems a semi-animal heat; as if tea, or wine, or sea-air, or mountains, or a genial companion, or a new thought suggested in book or conversation, could fire the train, wake the fancy, and the clear perception. Pit-coal,—where to find it? 'Tis of no use that your engine is made like a watch,—that you are a good workman, and know how to drive it, if there is no coal. We are waiting until some tyrannous idea emerging out of heaven shall seize and bereave us of this liberty with which we are falling abroad. Well, we have the same hint or suggestion, day by day. "I am not," says the man, "at the top of my condition to-day, but the favorable hour will come when I can command all my powers, and when that will be easy to do which is at this moment impossible." See how the passions augment our force,—anger, love, ambition! sometimes sympathy, and the expectation of men. Garrick said, that on the stage his great paroxysms surprised himself as much as his audience. If this is true on this low plane, it is true on the higher. Swedenborg's genius was the perception of the doctrine "that the Lord flows into the spirits of angels and of men"; and all poets have signalized their consciousness of rare moments when they were superior to themselves,—when a light, a freedom, a power came to them, which lifted them to performances far better than they could reach at other times; so that a religious poet once told me that "he valued his poems, not because they were his, but because they were not." He thought the angels brought them to him.

Jacob Behmen said: "Art has not wrote here, nor was there any time to consider how to set it punctually down according to the right understanding of the letters, but all was ordered according to the direction of the spirit, which often went on haste,—so that the penman's hand, by reason he was not accustomed to it, did often shake. And, though I could have written in a more accurate, fair, and plain manner, the burning fire often forced forward with speed, and the hand and pen must hasten directly after it, for it comes and goes as a sudden shower. In one quarter of an hour I saw and knew more, than if I had been many years together at an university."

The depth of the notes which we accidentally sound on the strings of nature is out of all proportion to our taught and ascertained faculty, and might teach us what strangers and novices we are, vagabond in this universe of pure power, to which we have only the smallest key. Herrick said:—

"'Tis not every day that I

Fitted am to prophesy;