Society and solitude: Twelve chapters

by Ralph Waldo Emerson

I hate this shallow Americanism which hopes to get rich by credit, to get knowledge by raps on midnight tables, to learn the economy of the mind by phrenology, or skill without study, or mastery without apprenticeship, or the sale of goods through pretending that they sell, or power through making believe you are powerful, or through a packed jury or caucus, bribery and “repeating� votes, or wealth by fraud. They think they have got it, but they have got something else,—a crime which calls for another crime, and another devil behind that; these are steps to suicide, infamy, and the harming of mankind. We countenance each other in this life of show, puffing, advertisement, and manufacture of public opinion; and excellence is lost sight of in the hunger for sudden performance and praise.

There was a wise man, an Italian artist, Michel Angelo, who writes thus of himself: “Meanwhile the Cardinal Ippolito, in whom all my best hopes were placed, being dead, I began to understand that the promises of this world are, for the most part, vain phantoms, and that to confide in one’s self, and become something of worth and value, is the best and safest course.� Now, though I am by no means sure that the reader will assent to all my propositions, yet I think we shall agree in my first rule for success,—that we shall drop the brag and the advertisement, and take Michel Angelo’s course, “to confide in one’s self, and be something of worth and value.�

Each man has an aptitude born with him to do easily some feat impossible to any other. Do your work. I have to say this often, but nature says it oftener. ’Tis clownish to insist on doing all with one’s own hands, as if every man should build his own clumsy house, forge his hammer, and bake his dough; but he is to dare to do what he can do best; not help others as they would direct him, but as he knows his helpful power to be. To do otherwise is to neutralize all those extraordinary special talents distributed among men. Yet, whilst this self-truth is essential to the exhibition of the world and to the growth and glory of each mind, it is rare to find a man who believes his own thought or who speaks that which he was created to say. As nothing astonishes men so much as common sense and plain-dealing, so nothing is more rare in any man than an act of his own. Any work looks wonderful to him, except that which he can do. We do not believe our own thought; we must serve somebody; we must quote somebody; we dote on the old and the distant; we are tickled by great names; we import the religion of other nations; we quote their opinions; we cite their laws. The gravest and learnedest courts in this country shudder to face a new question, and will wait months and years for a case to occur that can be tortured into a precedent, and thus throw on a bolder party the onus of an initiative. Thus we do not carry a counsel in our breasts, or do not know it; and because we cannot shake off from our shoes this dust of Europe and Asia, the world seems to be born old, society is under a spell, every man is a borrower and a mimic, life is theatrical, and literature a quotation; and hence that depression of spirits, that furrow of care, said to mark every American brow.

Self-trust is the first secret of success, the belief that, if you are here, the authorities of the universe put you here, and for cause, or with some task strictly appointed you in your constitution, and so long as you work at that you are well and successful. It by no means consists in rushing prematurely to a showy feat that shall catch the eye and satisfy spectators. It is enough if you work in the right direction. So far from the performance being the real success, it is clear that the success was much earlier than that, namely, when all the feats that make our civility were the thoughts of good heads. The fame of each discovery rightly attaches to the mind that made the formula which contains all the details, and not to the manufacturers who now make their gain by it; although the mob uniformly cheers the publisher, and not the inventor. It is the dulness of the multitude that they cannot see the house, in the ground-plan; the working, in the model of the projector. Whilst it is a thought, though it were a new fuel, or a new food, or the creation of agriculture, it is cried down; it is a chimera: but when it is a fact, and comes in the shape of eight per cent, ten per cent, a hundred per cent, they cry, ‘It is the voice of God.’ Horatio Greenough, the sculptor, said to me of Robert Fulton’s visit to Paris: “Fulton knocked at the door of Napoleon with steam, and was rejected; and Napoleon lived long enough to know that he had excluded a greater power than his own.�

Is there no loving of knowledge, and of art, and of our design, for itself alone? Cannot we please ourselves with performing our work, or gaining truth and power, without being praised for it? I gain my point, I gain all points, if I can reach my companion with any statement which teaches him his own worth. The sum of wisdom is, that the time is never lost that is devoted to work. The good workman never says, ‘There, that will do’; but, ‘There, that is it: try it, and come again, it will last always.’ If the artist, in whatever art, is well at work on his own design, it signifies little that he does not yet find orders or customers. I pronounce that young man happy who is content with having acquired the skill which he had aimed at, and waits willingly when the occasion of making it appreciated shall arrive, knowing well that it will not loiter. The time your rival spends in dressing up his work for effect, hastily, and for the market, you spend in study and experiments towards real knowledge and efficiency. He has thereby sold his picture or machine, or won the prize, or got the appointment; but you have raised yourself into a higher school of art, and a few years will show the advantage of the real master over the short popularity of the showman. I know it is a nice point to discriminate this self-trust, which is the pledge of all mental vigor and performance, from the disease to which it is allied,—the exaggeration of the part which we can play;—yet they are two things. But it is sanity to know, that, over my talent or knack, and a million times better than any talent, is the central intelligence which subordinates and uses all talents; and it is only as a door into this, that any talent or the knowledge it gives is of value. He only who comes into this central intelligence, in which no egotism or exaggeration can be, comes into self-possession.

My next point is that, in the scale of powers, it is not talent, but sensibility, which is best: talent confines, but the central life puts us in relation to all. How often it seems the chief good to be born with a cheerful temper, and well adjusted to the tone of the human race. Such a man feels himself in harmony, and conscious by his receptivity of an infinite strength. Like Alfred, “good fortune accompanies him like a gift of God.� Feel yourself, and be not daunted by things. ’Tis the fulness of man that runs over into objects, and makes his Bibles and Shakspeares and Homers so great. The joyful reader borrows of his own ideas to fill their faulty outline, and knows not that he borrows and gives.

There is something of poverty in our criticism. We assume that there are few great men, all the rest are little; that there is but one Homer, but one Shakspeare, one Newton, one Socrates. But the soul in her beaming hour does not acknowledge these usurpations. We should know how to praise Socrates, or Plato, or Saint John, without impoverishing us. In good hours we do not find Shakspeare or Homer over-great,—only to have been translators of the happy present,—and every man and woman divine possibilities. ’Tis the good reader that makes the good book; a good head cannot read amiss: in every book he finds passages which seem confidences or asides hidden from all else and unmistakably meant for his ear.

The light by which we see in this world comes out from the soul of the observer. Wherever any noble sentiment dwelt, it made the faces and houses around to shine. Nay, the powers of this busy brain are miraculous and illimitable. Therein are the rules and formulas by which the whole empire of matter is worked. There is no prosperity, trade, art, city, or great material wealth of any kind, but if you trace it home, you will find it rooted in a thought of some individual man.

Is all life a surface affair? ’Tis curious, but our difference of wit appears to be only a difference of impressionability, or power to appreciate faint, fainter, and infinitely faintest voices and visions. When the scholar or the writer has pumped his brain for thoughts and verses, and then comes abroad into Nature, has he never found that there is a better poetry hinted in a boy’s whistle of a tune, or in the piping of a sparrow, than in all his literary results? We call it health. What is so admirable as the health of youth?—with his long days because his eyes are good, and brisk circulations keep him warm in cold rooms, and he loves books that speak to the imagination; and he can read Plato, covered to his chin with a cloak in a cold upper chamber, though he should associate the Dialogues ever after with a woollen smell. ’Tis the bane of life that natural effects are continually crowded out, and artificial arrangements substituted. We remember when, in early youth, the earth spoke and the heavens glowed; when an evening, any evening, grim and wintry, sleet and snow, was enough for us; the houses were in the air. Now it costs a rare combination of clouds and lights to overcome the common and mean. What is it we look for in the landscape, in sunsets and sunrises, in the sea and the firmament? what but a compensation for the cramp and pettiness of human performances? We bask in the day, and the mind finds somewhat as great as itself. In Nature, all is large, massive repose. Remember what befalls a city boy who goes for the first time into the October woods. He is suddenly initiated into a pomp and glory that brings to pass for him the dreams of romance. He is the king he dreamed he was; he walks through tents of gold, through bowers of crimson, porphyry, and topaz, pavilion on pavilion, garlanded with vines, flowers, and sunbeams, with incense and music, with so many hints to his astonished senses; the leaves twinkle and pique and flatter him, and his eye and step are tempted on by what hazy distances to happier solitudes. All this happiness he owes only to his finer perception. The owner of the wood-lot finds only a number of discolored trees, and says, ‘They ought to come down; they aren’t growing any better; they should be cut and corded before spring.’

Wordsworth writes of the delights of the boy in Nature:—