And as our tenderness for youth and beauty gives a new and just importance to their fresh and manifold claims, so the like sensibility gives welcome to all excellence, has eyes and hospitality for merit in corners. An Englishman of marked character and talent, who had brought with him hither one or two friends and a library of mystics, assured me that nobody and nothing of possible interest was left in England,—he had brought all that was alive away. I was forced to reply: “No, next door to you, probably, on the other side of the partition in the same house, was a greater man than any you had seen.� Every man has a history worth knowing, if he could tell it, or if we could draw it from him. Character and wit have their own magnetism. Send a deep man into any town, and he will find another deep man there, unknown hitherto to his neighbors. That is the great happiness of life,—to add to our high acquaintances. The very law of averages might have assured you that there will be in every hundred heads, say ten or five good heads. Morals are generated as the atmosphere is. ’Tis a secret, the genesis of either; but the springs of justice and courage do not fail any more than salt or sulphur springs.

The world is always opulent, the oracles are never silent; but the receiver must by a happy temperance be brought to that top of condition, that frolic health, that he can easily take and give these fine communications. Health is the condition of wisdom, and the sign is cheerfulness,—an open and noble temper. There was never poet who had not the heart in the right place. The old trouveur, Pons Capdueil, wrote,—

“Oft have I heard, and deem the witness true,

Whom man delights in, God delights in too.�

All beauty warms the heart, is a sign of health, prosperity, and the favor of God. Everything lasting and fit for men, the Divine Power has marked with this stamp. What delights, what emancipates, not what scares and pains us, is wise and good in speech and in the arts. For, truly, the heart at the centre of the universe with every throb hurls the flood of happiness into every artery, vein, and veinlet, so that the whole system is inundated with the tides of joy. The plenty of the poorest place is too great: the harvest cannot be gathered. Every sound ends in music. The edge of every surface is tinged with prismatic rays.

One more trait of true success. The good mind chooses what is positive, what is advancing,—embraces the affirmative. Our system is one of poverty. ’Tis presumed, as I said, there is but one Shakspeare, one Homer, one Jesus,—not that all are or shall be inspired. But we must begin by affirming. Truth and goodness subsist forevermore. It is true there is evil and good, night and day: but these are not equal. The day is great and final. The night is for the day, but the day is not for the night. What is this immortal demand for more, which belongs to our constitution? this enormous ideal? There is no such critic and beggar as this terrible Soul. No historical person begins to content us. We know the satisfactoriness of justice, the sufficiency of truth. We know the answer that leaves nothing to ask. We know the Spirit by its victorious tone. The searching tests to apply to every new pretender are amount and quality,—what does he add? and what is the state of mind he leaves me in? Your theory is unimportant; but what new stock you can add to humanity, or how high you can carry life? A man is a man only as he makes life and nature happier to us.

I fear the popular notion of success stands in direct opposition in all points to the real and wholesome success. One adores public opinion, the other private opinion; one fame, the other desert; one feats, the other humility; one lucre, the other love; one monopoly, and the other hospitality of mind.

We may apply this affirmative law to letters, to manners, to art, to the decorations of our houses, etc. I do not find executions or tortures or lazar-houses, or grisly photographs of the field on the day after the battle fit subjects for cabinet pictures. I think that some so-called “sacred subjects� must be treated with more genius than I have seen in the masters of Italian or Spanish art to be right pictures for houses and churches. Nature does not invite such exhibition. Nature lays the ground-plan of each creature accurately,—sternly fit for all his functions; then veils it scrupulously. See how carefully she covers up the skeleton. The eye shall not see it: the sun shall not shine on it. She weaves her tissues and integuments of flesh and skin and hair and beautiful colors of the day over it, and forces death down underground, and makes haste to cover it up with leaves and vines, and wipes carefully out every trace by new creation. Who and what are you that would lay the ghastly anatomy bare?

Don’t hang a dismal picture on the wall, and do not daub with sables and glooms in your conversation. Don’t be a cynic and disconsolate preacher. Don’t bewail and bemoan. Omit the negative propositions. Nerve us with incessant affirmatives. Don’t waste yourself in rejection, nor bark against the bad, but chant the beauty of the good. When that is spoken which has a right to be spoken, the chatter and the criticism will stop. Set down nothing that will not help somebody;

“For every gift of noble origin