So he exercised his imagination. With a wealth of material to draw upon, he would build himself worlds where he could move around, walk, talk, and make love, eat, drink and feel the caress of sunshine and wind.

It was while he was engaged in this project that he touched another mind. He touched it, fused for a blinding second, and bounced away. He ran gibbering up and down the corridors of his own memory, mentally reeling from the shock of—identification!


WHO WAS he? Paul Wendell? Yes, he knew with incontrovertible certainty that he was Paul Wendell. But he also knew, with almost equal certainty, that he was Captain Sir Richard Francis Burton. He was living—had lived—in the latter half of the nineteenth century. But he knew nothing of the Captain other than the certainty of identity; nothing else of that blinding mind-touch remained.

Again he scoured his memory—Paul Wendell's memory—checking and rechecking the area just before that semi-fatal bullet had crashed through his brain.

And finally, at long last, he knew with certainty where his calculations had gone astray. He knew positively why eight men had gone insane.

Then he went again in search of other minds, and this time he knew he would not bounce.

Quasi Una Fantasia Poco Andante Pianissimo

AN OLD MAN sat quietly in his lawnchair, puffing contentedly on an expensive briar pipe and making corrections with a fountain pen on a thick sheaf of typewritten manuscript. Around him stretched an expanse of green lawn, dotted here and there with squat cycads that looked like overgrown pineapples; in the distance, screening the big house from the road, stood a row of stately palms, their fronds stirring lightly in the faint, warm California breeze.

The old man raised his head as a car pulled into the curving driveway. The warm hum of the turboelectric engine stopped, and a man climbed out of the vehicle. He walked with easy strides across the grass to where the elderly gentleman sat. He was lithe, of indeterminate age, but with a look of great determination. There was something in his face that made the old man vaguely uneasy—not with fear but with a sense of deep respect.