A glance at the office clock convinced Keith that, in all probability, Miss Maclaire had not, as yet, departed for the scene of her evening triumph. Still, it could not be long before she would, and he lit a cigar, sitting down in a corner partially concealed by the clerk's desk to wait her appearance. This required longer than anticipated, and fearing lest he might have missed the departure entirely, he was about to question the busy Thomas, when he beheld Hawley enter hurriedly from the street and run up the stairs. He then had been the laggard. All the better, as he would now have no opportunity to unfold his tale to the lady, as it would be necessary for them to hurry to the theatre. Whatever the nature of the revelation it would have to wait until the walk home. The excitement of the adventure was already creeping into Keith's blood, his pulse quickening.
The two returned almost immediately, conclusively proving that Miss Maclaire, fully dressed for the street, had been awaiting the arrival of her gallant with some impatience. Hawley was busily explaining his delay as they came down the stairs, and paid little attention to the seemingly deserted office. Indeed, Miss Christie monopolized all his thoughts. With quick scrutiny the watcher noted the more conspicuous articles of apparel constituting her costume—the white mantilla thrown over her head, the neatly fitting blue dress, the light cape covering the shoulders—surely it would not be difficult to duplicate these, so as to pass muster under the dim light of the streets. Far enough in their rear to feel safe from observation he followed, noting with increased pleasure the rapidity with which they covered the required distance. Clearly Miss Christie was already nervous lest she have not sufficient time remaining in which to properly dress for her act, and there would be no exchange of confidences on the outward journey. Hawley left her, as Keith anticipated, at the stage entrance, the lady hastening within. Her escort strolled leisurely back to the front of the house, and finally, purchasing a ticket, entered, the performance already having begun.
Keith knew perfectly the arrangement of the theatre—the seats in front; tables all through the centre; a gallery filled with benches; a noisy orchestra beneath the stage; a crowded audience of men, with only here and there a scattered representative of the gentler sex; busy waiters dodging in and out among the tables, and down the aisles, filling orders for liquids from the nearby saloon. The air would be pungent with the odor of drink, thick with the fumes of tobacco, and noisy with voices, except as some special favorite on the stage won temporary attention. The Trocadero possessed but one redeeming feature—no doorway connected stage and auditorium, and the management brooked no interference with his artists. It had required some nerve to originally enforce this rule, together with a smart fight or two, but at this period it was acknowledged and respected. No sooner had Hawley vanished than Keith found occasion to enter into casual conversation with the door-keeper, asking a number of questions, and leaving impressed upon the mind of that astute individual the idea that he was dealing with a “gent” enamored of one of the stage beauties. A coin slipped quietly into the man's hand served to deepen this impression, and unlocked discreet lips otherwise sworn to secrecy. Out of much general information a little of real value was thus extracted—Miss Maclaire's act began at 9:45 and was over promptly at 10:10. It required about twenty minutes more for her to change again into street clothes, and she usually left the theatre immediately after, which would be about 10:30. Yes, there was a vestibule outside the stage door, and on bad nights, those waiting for the ladies could slip in there. But on such a night as this they generally hung around outside. No, there was no watchman, but the manager was frequently prowling around. He'd be busy, however, at 10:30, getting the stage ready for the “Flying Hermanns.” Abundantly satisfied and resisting the door-keeper's professional suggestion that he'd better buy a ticket and take a look at the show, Keith slipped away, and hastened back to the hotel. The more he investigated the more feasible appeared the girl's plan, and he was now fully committed to it.
Chapter XXVIII. The Stage Door of the Trocadero
Hope discovered very little difficulty in duplicating the outer garments Keith reported Miss Maclaire as wearing. The colors, indeed, were not exactly the same, yet this difference was not sufficient to be noticeable at night by the eyes of a man who had no reason to suspect deceit. The girl was in a flutter of nervous excitement as she hastened about the room, donning her few requirements of masquerade, yet Keith noted with appreciation that she became perceptibly cooler as the moment of departure approached. With cheeks aflame and eyes sparkling, yet speaking with a voice revealing no falter, she pressed his arm and declared herself prepared for the ordeal. The face under the shadow of the mantilla was so arch and piquant, Keith could not disguise his admiration.
“Am I Christie Maclaire?” she asked laughingly.
“Sufficiently so to fool our friend,” he returned, “but I am ready to swear that lady never looked so charming.”
“A compliment, and spoken as though you really meant it.”
“Have I not been honest enough with you in the past, to be credited with honesty now?” he protested, a little hurt by the bantering tone.