viz
. first, on which to describe the
Steps
and
Positions
; and secondly, for the Direction of the
Figure
of the Dance.
I shall now add, that when in Dancing, several Steps are to be perform’d in the same place, the Tract is then to be respected only as the Conductor of the Step, and not in Relation to the Figure; but where the Steps move continually from one place to another, then the Tract is to be observ’d, not only for the Description of the Steps, but also for the Figure of the Dance. Place your self then where the beginning of the Tract directs, and observe whether the Figure be streight, diametrical, circular, or oblique, whether it be forwards, backwarks, or sideways, if to the right, or to the left; all which I have already demonstrated in the foregoing Pages; then having learnt the Tune, which must be prick’d down on the Top of each Page, add the Steps to the Tune, as has been already shewn, moving in the Figure as is described on the Paper. When it happens that the Tract or Tracts cross one another, the Steps on the one, must leave a sufficient Breach, for the describing the Steps; on the other, to avoid Confusion.