I recovered after a nameless interval, a phantasmagoria of wild, drugged dreams. My senses came slowly. At first, there were dim muffled voices and the tread of footsteps. Then I knew that I was lying on the ground, and that I was indoors. It was warm. My overcoat was off. Then I realized that I was bound and gagged.

I opened my eyes. Alan was lying inert beside me, roped and with a black gag around his face and in his mouth. We were in a huge dim open space. Presently, as my vision cleared, I saw that the dome was overhead. This was a circular, hundred-foot-wide room. It was dimly lighted. The figures of men were moving about, their great misshapen shadows shifting with them. Twenty feet from me there was a pile of golden rock—chunks of gold the size of a man's fist, or his head, and larger, heaped loosely into a mound ten feet high.

Beyond this pile of ore, near the center of the room, twenty feet above the concrete floor, there was a large hanging electrolier. It cast a circular glow downward. Under it I saw a low platform raised a foot or two above the ground. A giant electro-microscope was hung with its twenty foot cylinder above the platform. Its intensification tubes were glowing in a dim phosphorescent row on a nearby bracket. A man sat in a chair on the platform at the microscope's eyepiece.

I saw all this with a brief glance, then my attention went to a white stone slab under the giant lense. It rested on the platform floor, a two-foot square surface of smooth white marble. A little roped railing a few inches high fenced it. And in its center lay a fragment of golden quartz the size of a walnut!

There was a movement across my line of vision. Two figures advanced. I recognized both of them. And I strained at my bonds; mouthed the gag with futile, frenzied effort. I could no more than writhe; and I couldn't make a sound. I lay, after a moment exhausted, and stared with horror.

The familiar hunched figure of Polter advanced toward the microscope. And with him, his huge hand holding her wrists, was Babs. They were nearly fifty feet from me, but with the light over them I could see them clearly. Babs' slim figure was clad in a long skirted dress—pale blue, now, with the light on it. Her long black hair had fallen disheveled to her shoulders. I couldn't see her face. She did not cry out. Polter was half dragging her as she resisted him; and then abruptly she ceased struggling.

I heard his guttural voice. "That iss better."

They mounted the platform. They were very small and seemed to be far away. I blinked. Horror surged over me. Their figures were dwindling as they stood there. Polter was saying something to the man at the microscope. Other men were nearby, watching. All were normal, save Polter and Babs. A moment passed. Polter was standing by the chair in which the man at the microscope was sitting. And Polter's head barely reached its seat! Babs was clinging to him now. Another moment and they were both tiny figures down by the chair-leg. Then they began walking with swaying steps toward the miniature railing of the white slab. The white reflection from the slab plainly illumined them. Polter's arm was around Babs. I had not realized how small they were until I saw Polter lift the rope of the little four-inch fence, and he and Babs stooped and walked under it. The fragment of quartz lay a foot from them in the center of the white surface. They walked unsteadily toward it. But soon they were running.

My horrified senses whirled. Then abruptly I felt something touch my face! Alan and I were lying in shadow. No one had noticed my writhing movements, and Alan was still in drugged unconsciousness. Something tiny and light and soundless as a butterfly wing brushed my face! I jerked my head aside. On the floor, within six inches of my eyes, I saw the tiny figure of a girl an inch high! She stood, with a warning gesture to her lips—a human girl in a filmy flowing robe. Long, pale golden tresses lay on her white shoulders; her face, small as my little fingernail, colorful as a miniature painted on ivory, was so close to my eyes that I could see her expression—warning me not to move.