“Chief Justice Shaw,
”Boston.”
The Aunt Priscilla mentioned in this letter was a sister of Melville’s father—fifth child of Major Thomas Melville. She was born in 1784, and upon her death in 1862, she showed that her appreciation of Melville’s earlier solicitude had been substantial, by bequeathing him nine hundred dollars. The Miss Elizabeth of the letter, the only daughter of Chief Justice Shaw, and Melville were married on August 4, 1847.
On the evidence of surviving records, Melville’s father had resigned himself to the institution of marriage as to one of the established conveniences of Christendom. Allan was a practical man, and he soberly saw that he gained more than he lost by generously sharing his bed and the fireside zone with a competent accessory to his domestic comforts. If he was ever a romantic lover, it was in the folly of his youth. Though romantic love be a tingling holiday extravagance, he mistrusted—and Allan never doubted his wisdom—its everyday useability for a cautious and peace-loving man. And since Dante had married Gemma Donati, since Petrarch had had children by an unknown concubine, Maria had reason to congratulate herself that Allan evinced for her no adoration of the kind lavished upon the sainted Beatrice or upon the unattainable Laura.
In his approach to marriage, Melville showed none of the prosaic circumspection of his father. From his idealisation of the proud cold purity of Maria, Melville built up a haloed image of the wonder and mystery of sanctified womanhood: without blemish, unclouded, snow-white, terrible, yet serene. And before this image Melville poured out the fulness of his most reverential thoughts and beliefs. The very profundity of his frustrated love for Maria, and the accusing incompatibility between the image and the fact, made his early life a futile and desperate attempt to escape from himself. The peace, and at the same time the stupendous discovery that he craved: that he found neither at home nor over the rim of the world. When with Maria, he had craved to put oceans between them; when so estranged, he was parched to return.
In his wanderings, he had seen sights, and lived through experiences to disabuse him of his fantastic idealisation of woman. In fact, however, such experiences may but tend to heighten idealisation. In the Middle Age, the Blessed Mother was celebrated in a duality of perplexing incompatibility: she was at once the Virgin Mother of the Son of God, and the patron of thieves, harlots and cutthroats. She was at once an object of worship and a subject of farce. She was woman. Protestantism, restoring woman to her original Hebraic dignity of a discarded rib, evinced in marriage an essentially biological interest, and regulated romantic love into uxoriousness. Allan was a good Protestant. But neither Mrs. Chapone nor Fayaway were able to precipitate Melville into that form of heresy. Fayaway was Fayaway: and her father was a cannibal. Civilisation had given her no veils; Christianity had given her no compunctons. She was neither a mystery nor a sin. Untouched did she leave the sacred image in his heart.
To Elizabeth Shaw, Melville transferred his idealisation of his mother. In Pierre he says: “this softened spell which wheeled the mother and son in one orbit of joy seemed a glimpse of the glorious possibility, of the divinest of those emotions which are incident to the sweetest season of love.” In Pierre, Melville declared that the ideal possibilities of the love between mother and son, seemed “almost to realise here below the sweet dreams of those religious enthusiasts, who paint to us a Paradise to come, when etherealised from all dross and stains, the holiest passion of man shall unite all kindreds and climes in one circle of pure and unimpaired delight.” And in this “courteous lover-like adoration” of son for mother, Melville saw the “highest and airiest thing in the whole compass of the experience of our mortal life.” And “this heavenly evanescence,” Melville declares, “this nameless and infinitely delicate aroma of inexpressible tenderness and attentiveness,” is, “in every refined and honourable attachment, contemporary with courtship.” In Pierre, Melville spends a chapter of dithyramb in celebration of this sentiment which, inspired by one’s mother, one transfers to all other women honourably loved. “Love may end in age, and pain and need, and all other modes of human mournfulness; but love begins in joy. Love’s first sigh is never breathed, till after love hath laughed. Love has not hands, but cymbals; Love’s mouth is chambered like a bugle, and the instinctive breathings of his life breathe jubilee notes of joy.” And during his courtship of Elizabeth Shaw, it seems that in Melville were “the audacious immortalities of divinest love.”
None of Melville’s letters of courtship survive. There are more direct evidences of the fruits of his love, than of its early bloom. There are, however, two letters of his wife’s, written during the month of the marriage. The first was written during the wedding trip.
“Center Harbor, Aug. 6th, 1847.
“My Dear Mother:
“You know I promised to write you whenever we came to a stopping place, and remained long enough. We are now at Center Harbor, a most lonely and romantic spot at the extremity of Winnipiscogee Lake, having arrived last evening from Concord—and we intend to remain until to-morrow. One object in stopping so long and indeed principal one was to visit ‘Red Hill’—a mountain (commanding a most beautiful view of the lake) about four miles distant. But to-day it is so cloudy and dull, I am afraid we shall not be able to accomplish it—so you see I have a little spare time, and improve it by writing to relieve any anxiety you may feel. Though this is but the third day since our departure, it seems as if a long time had passed, we have seen so many places of novelty and interest. The stage ride yesterday from Franklin here, though rather fatiguing, was one of great attraction from the beautiful scenery. To-morrow we again intend to take the stage to Conway, and from there to the White Mountains. I will write again from there, and tell you more of what I have seen, but now I send this missive more to let you know of our safety and well-being than anything else.