There wasn't any sign of trouble except that the TV channel went dead for a second, until a stand by commercial with singing cartoon figures cut in.

But Frank Nelsen somehow put his hands to his head, as if to protect it.

[p. 30]

Mitch Storey, with a big piece of stellene in his brown mitts, stood up very straight.

Gimp, at a bench, handed a tiny capacitor to Eileen, and started counting, slow and even. "One—two—three—four—five—"

"What's with you slobs?" Jig Hollins wanted to know.

"Dunno—we're nuts, maybe," Gimp answered. "Ten—eleven—twelve—"

Charlie Reynolds and Paul Hendricks were alert, too.

Then a big, white light trembled on the thin snow beyond the windows, turning the whole night landscape into weird day. The tearing, crackling roar was delayed. By the time the sound arrived, all of the stellene in the Far Side must have been consumed. It had no resistance to atmospheric friction at five miles per second, or faster. There were just the heavier metallic details left to fall and burn. Far off, there was a thumping crash that seemed to make the ground sag and recover.

"Here we go!" Charlie Reynolds yelled.