Margret Howth: A Story of To-day

by Rebecca Harding Davis

Skilful Margret! The broil must have been turbid in the old man's brain which the grand, slow-stepping music of the Florentine could not calm. She had learned that long ago, and used it as a nurse does some old song to quiet her pettish infant. His face brightened instantly.

"Do not believe, then, child," he said, after a pause. "It is a noble doubt, in Dante or in you."

The Doctor had turned away; she could not see his face. The angry scorn was gone from the old master's countenance; it was bent with its usual wistful eagerness on the floor. A moment after he looked up with a flickering smile.

"'Onorate l' altissmo poeta!'" he said, gently lifting his finger to his forehead in a military fashion. "Where is my cane, Margret? The Doctor and I will go and walk on the porch before it grows dark."

The sun had gone down long before, and the stars were out; but no one spoke of this. Knowles lighted the school-master's pipe and his own cigar, and then moved the chairs out of their way, stepping softly that the old man might not hear him. Margret, in the room, watched them as they went, seeing how gentle the rough, burly man was with her father, and how, every time they passed the sweet-brier, he bent the branches aside, that they might not touch his face. Slow, childish tears came into her eyes as she saw it; for the school-master was blind. This had been their regular walk every evening, since it grew too cold for them to go down under the lindens. The Doctor had not missed a night since her father gave up the school, a month ago: at first, under pretence of attending to his eyes; but since the day he had told them there was no hope of cure, he had never spoken of it again. Only, since then, he had grown doubly quarrelsome,—standing ready armed to dispute with the old man every inch of every subject in earth or air, keeping the old man in a state of boyish excitement during the long, idle days, looking forward to this nightly battle.

It was very still; for the house, with its half-dozen acres, lay in an angle of the hills, looking out on the river, which shut out all distant noises. Only the men's footsteps broke the silence, passing and repassing the window. Without, the October starlight lay white and frosty on the moors, the old barn, the sharp, dark hills, and the river, which was half hidden by the orchard. One could hear it, like some huge giant moaning in his sleep, at times, and see broad patches of steel blue glittering through the thick apple-trees and the bushes. Her mother had fallen into a doze. Margret looked at her, thinking how sallow the plump, fair face had grown, and how faded the kindly blue eyes were now. Dim with crying,—she knew that, though she never saw her shed a tear. Always cheery, going placidly about the house in her gray dress and Quaker cap, as if there were no such things in the world as debt or blindness. But Margret knew, though she said nothing. When her mother came in from those wonderful foraging expeditions in search of late pease or corn, she could see the swollen circle round the eyes, and hear her breath like that of a child which has sobbed itself tired. Then, one night, when she had gone into her mother's room, after she was in bed, the blue eyes were set in a wild, hopeless way, as if staring down into years of starvation and misery. The fire on the hearth burned low and clear; the old worn furniture stood out cheerfully in the red glow, and threw a maze of twisted shadow on the floor. But the glow was all that was cheerful. To-morrow, when the hard daylight should jeer away the screening shadows, it would unbare a desolate, shabby home. She knew; struck with the white leprosy of poverty; the blank walls, the faded hangings, the old stone house itself, looking vacantly out on the fields with a pitiful significance of loss. Upon the mantel-shelf there was a small marble figure, one of the Dancing Graces: the other two were gone, gone in pledge. This one was left, twirling her foot, and stretching out her hands in a dreary sort of ecstasy, with no one to respond. For a moment, so empty and bitter seemed her home and her life, that she thought the lonely dancer with her flaunting joy mocked her,—taunted them with the slow, gray desolation that had been creeping on them for years. Only for a moment the morbid fancy hurt her.

The red glow was healthier, suited her temperament better. She chose to fancy the house as it had been once,—should be again, please God. She chose to see the old comfort and the old beauty which the poor school-master had gathered about their home. Gone now. But it should return. It was well, perhaps, that he was blind, he knew so little of what had come on them. There, where the black marks were on the wall, there had hung two pictures. Margret and her father religiously believed them to be a Tintoret and Copley. Well, they were gone now. He had been used to dust them with a light brush every morning, himself, but now he said always,—

"You can clean the pictures to-day, Margret. Be careful, my child."

And Margret would remember the greasy Irishman who had tucked them under his arm, and flung them into a cart, her blood growing hotter in her veins.

It was the same through all the house; there was not a niche in the bare rooms that did not recall a something gone,—something that should return. She willed that, that evening, standing by the dim fire. What women will, whose eyes are slow, attentive, still, as this Margret's, usually comes to pass.