He found the place and began to read in a resonant, well-modulated voice. The opening paragraph was a little stilted, a bit amateurish, but after that the story swung into bold and breathless action. It gripped its hearer with a compelling force that held her tense and motionless in her chair. Only the sound of the reader's voice and the crisp crackle of paper when he turned a page broke the quiet of the room. Outside, a gray January mist engulfed the city, and electric bulbs from the houses across the street cut bleary patches in the mantle of fog. For almost an hour Richard Glover read in his clear, unhurried voice, and Marcreta listened, her wide eyes fastened upon his face.

When he had finished, with the irritating promise, "To Be Continued," he laid the periodical face-down upon the library-table and turned toward her. In his amber eyes was a new light. A railroad switchman who faces the company's president after saving a train from destruction might wear just that expression.

Marcreta seemed bereft of speech. She was staring at one of the lights in the house across the street as though it had hypnotized her. One of the delicate white hands was clasped tight upon the arm of her chair. Richard Glover told himself that he had never seen her look so beautiful. And for the first time since he had known her, there was not a suggestion of invalidism in her tall, regal figure. She was wearing a filmy gray dress with a touch of pink that seemed to give a heightened flush to her cheeks. He allowed several seconds to pass. Was it possible, he was wondering, that this "first story" had won that tribute most coveted by all authors—the tribute of breathless silence?

"Well?" he ventured at last. "What do you think of it?"

She brought her eyes back to the room, to the magazine lying face-down upon the table, but not to him. "I think," she said with a long sigh, "that you are a wonderfully clever man."

The light flickered out of his eyes. He leaned toward her with a pleading gesture. "Is that all you are going to say to me?"

"Isn't that enough? Wouldn't you rather have me say that than anything else?"

"You know I wouldn't. You know that there are many other things that I would far rather have you say." He came over and stood beside her chair. "Marcreta," he begged, "say just one of them. Say this—that you are glad to have me come here. I wrote that story for you; because I know that you value creative power more than anything else in the world. Are you glad that I did it? Are you glad that I brought it to you?"

She was looking at him now, all her ardent soul in her eyes. "I am glad," she breathed. "I can't tell you how glad."

"Then I think you ought to give me some reward. I ought to have at least——"