"Who lives in that little house on the island?" she called out to Marion.
"The one on the Saltings? No one. It has been empty for forty years. But when I was a child George Luck still lived there. George Luck, the last great wizard in England."
"A wizard forty years ago! Well, I suppose parts of England are very backward. You've got such a miserable system of education. What sort of magic did he do?"
"Oh, he gave charms to cure sick cattle, and sailors' wives used to come to him for news of their absent husbands, and he used to make them look in a full tub of water, and they used to see little pictures of what the men were doing at the time." She laughed over her shoulder at Ellen. "You see, other women before us have been reactionary."
"Reactionary?" repeated Ellen.
"They have let their lives revolve round men," said Marion teasingly, and Ellen returned her laughter. They were both in high spirits because of this wind that was salt and cold and yet not savage. Their glowing bodies reminded them that the prime necessities of life are earth and air, and the chance to eat well as they had eaten, and that in being in love they were the victims of a classic predicament, the current participators in the perpetual imbroglio with spiritual things that makes man the most ridiculous of animals.
They were walking on the level now, on a path beside the railway-line, again in the great green platter of the marshes. The sea-wall, which ran in wide crimps a field's width away on the other side of the line, might have been the rim of the world had it not been for the forest of masts showing above it. The clouds declared themselves the inhabitants of the sky and not its stuff by casting separate shadows, and the space they moved in seemed a reservoir of salt light, of fluid silence, under which it was good to live. Yet it was not silence, for there came perpetually that leisurely, wet cry.
"What are those birds? They make a lovely sound," asked Ellen, dancing.
"Those are the redshanks. They're wading-birds. When Richard comes he will take you on the sea-wall and show you the redshanks in the little streams among the mud. They are such queer streams. Up towards Canfleet there's a waterfall in the mud, with a fall of several feet. It looks queer. These marshes are queer. And they're so lonely. Nobody ever comes here now except the men to see to the cattle. Even though the railway runs through, they're quite lonely. The trains carry clerks and shop-assistants down from their work in London to their houses at New Roothing and Bestcliffe and Prittlebay at night; and they leave in the morning as soon as they've had breakfast. On Sundays they're too tired to do anything but sit on the cliff and listen to the band playing. During the week the children are all at school or too young to go further than the recreation grounds. There's nothing to bring these people here, and they never come."
She again struck Ellen as terrifying. She spoke of the gulf between these joyless lives and the beauty through which they hurled physically night and morning, to the conditions which debarred them from ever visiting it spiritually, with exhilaration and a will that it should continue to exist as long as she could help it. "But, Ellen, you like lonely country yourself," she addressed herself. "You liked the Pentlands for being so lonely. There's no difference between you really...." But indeed there was a difference. She had liked places to be destitute of any trace of human society because then a lovelier life of the imagination rushed in to fill the vacuum. Since the engineer had erred who built the reservoirs over by Carlops and had made them useless for that purpose, better things than water came along the stone waterways; meadowsweet choking the disused channel looked like a faery army defiling down to the plains, and locks were empty and dry and white, like chambers of a castle keep, or squares of dark green waters from which at any moment a knight would rise with a weed-hung harp in his arms and a tale of a hundred years in faery-land.