They are emotional, but not less brave because tears stood in their eyes as they listened to Te Turi's prayer. Their great chiefs solemn chant and the exclamations which greeted the forest in its summer dress show their poetic mind and their capacity for felicitous speech. Moreover, they are fond of fun and have a trenchant wit, if not a very lightsome humour. They are quick at repartee, and eloquent in discourse.
When their villages are built, you shall note how kind and hospitable they are to strangers of whatever race. Also, you shall be convinced that among the gentlemen of their tribes a lie is a thing abominable and abhorred, and the word of a chief, once passed, most rarely broken.
Are they then faultless, these newcomers to the land which Maui fished up from the sea? No; for they are men, and men yet stumbling in the night of paganism. There is no need to catalogue their faults; they are those common to savages, and too many of them will show clearly as this narrative progresses. Till then let us pass them over.
Take one more look at the faces of these old-time Maori. They differ from those of their descendants, for they are unmarked by tattoo.
The Maori of the immediate past were noted for the extraordinarily elaborate tattooing or, rather, carving, which embellished their faces and, sometimes, their hips. When the Pakeha arrived a Maori with beard, whiskers or moustache was as rare as the moa; for tattooing necessitated a smooth face, and each warrior was careful to pull out every offending hair from cheek, lips and chin.[25] Thus, neither the process nor the result was interfered with, and this was important, for every line, curve or mark of any kind had its significance.
Tattooing was by no means universal among the Polynesians, and the Maori tradition is firm that the faces of the immigrants from Hawaiki were innocent of tattoo, or moko, as the Maori method is styled, while beards were worn or not, according to individual taste.
It has always been a principle with savages to frighten their enemies by noise, facial contortions, masks, weird head-dresses and so on. When the Maori began to quarrel and fight, it occurred to one genius that a tremendous moral effect would be produced upon the enemy if he—the genius—were to blacken his face before going into battle. One would hardly suppose that a shade only two or three degrees deeper than the original would bring about any startling result; but our genius evidently succeeded, for the next time his tribe took the field the faces of all were black as the back of Tui, the Parson-bird.
Then it occurred to a wise old chief, named Rauru, that, if something permanent could be devised, much time and trouble would be saved. Remembering a visit he had paid to an island where tattooing was in force, he called a council and vigorously advocated the adoption of the practice. The suggestion was accepted and, as the process of moko is decidedly painful, there must have been many wry faces while it was being carried into effect.
No doubt, when their faces had been rendered sufficiently terrifying, this particular tribe had things all their own way for a time. But there is a sincere form of flattery known as imitation and, once the secret leaked out, matters took a turn. Before Te Ika A Maui was many moons older, every able-bodied man on the Island had tricked out his face in the new style, and was ready to meet the inventors upon equal terms.