Wie heiss mag erst die Hölle sein.
[46] The two comic cantatas have been published by S. W. Dehn in two editions; the second is issued by C. A. Klemm at Leipzig.
[47] Three are mentioned: one is lost; the second probably dates from Coethen, and is published by the Bach-Gesellschaft, xi. (2) p. 75; and the third had already been used for certainly three occasions before it was adapted to a marriage festival, it seems in 1749.
[48] Possibly we should add a cantata which seems to belong to some court festival, and exists in private hands at Dresden: Spitta, ii. 450 f.
[49] MS. at Berlin.
[50] Afterwards absorbed into the church cantata, Erhöhtes Fleisch und Blut.
[51] Afterwards re-written as church cantata No. 35.
[52] The Trauer-Ode is published in the Bach-Gesellschaft, xiii. p. 3.
[53] Of this sort Bach is only known to have written three cantatas, of which two remain. One, Non sà che sia dolore, lies in MS. at Berlin; the other, Amore traditore, is printed by the Bach-Gesellschaft, xi. (2) p. 93.
[54] All but No. 2 have been published at Leipzig by Breitkopf and Haertel: a few others are of doubtful genuineness.