"Twelve o'clock," said von Klausen. It was as if he spoke of a tolling bell.
"Twelve o'clock," repeated Muriel stupidly.
They rose simultaneously and faced each other; two children caught in that mesh of convention which men have devised to thwart the heart of man.
Then a timid recollection that had long been rankling in Muriel's mind rushed to her lips. She recalled her glimpse of von Klausen with the Spanish dancer at L'Abbaye, and she told him of it.
"How could you?" she asked. "How could you?"
With a waxing tide of earnestness, he told her of his emotional life. He told her of his escapades, of how lightly he had esteemed them when they occurred and how heavily they bore upon him now. He repented as passionately as he had sinned, and he vowed himself thenceforth to chastity.
To Muriel, however, as he told it, all that he had done in the past seemed of moment only in a manner other than that in which he regarded it. She saw it, in one quick flash, as the natural deviations of a force balked by unnatural laws. She saw that this man had learned where Jim had remained ignorant. It even seemed to her well that dissipation had once held him, since at this last, by freeing himself, he was proving how much stronger was her hold on him.
"It doesn't matter," she said; "it doesn't matter." And she put out her hand.
They had come at last, they felt, to the parting of their ways. A moment more and they would go on, forever, apart.
He looked at her cheek, turned pale; at her wide eyes, stricken with pain. As she had appeared to Stainton on that night at the Metropolitan Opera House, so now she appeared to Stainton's successor, but richer, fuller, mature: she was slim and soft, this woman he was losing; her wonderful hair was as black as a thunder-cloud in May; she had high, curved brows and eyes that were large and dark and tender; her lips were damp, and she was warm and dusky and clothed in the light of the stars. He took her hand and, at the touch, he gave a gasping cry and encircled her in his arms.