"It's all right," Porcellis hurriedly reassured Luke. "Nobody pays the slightest attention to him, anyhow."
Nobody did. As they shouldered their way forward, the huge apartment that they now entered was like what Luke thought the rooms of state at Versailles must be, and the great hall in the Brussels Palace of Justice. All about the walls, and especially about the large entrance, was a press of men and women, standing still, or moving slowly from group to group through an invisible, but palpable, cloud formed by a mixture of the odor of withering flowers, Parisian scents, and human sweat. A band of music, concealed in a far-away balcony, blared rag-time, but distinct from its impudence, there rose from all these people the noise of shoe-leather dragged over parquette flooring, the composite of laughter in many keys and the perplexed buzz of small-talk. The moving figures of the women, over whom countless aigrettes quivered, had a kaleidoscopic effect, curiously unreal: an effect of flashing colors—crimson, ivory, blues, greens, and pinks—splashing against white breasts and backs, falling away from dazzling shoulders, the waves mounting in oily satin, feline velvet, or clinging peau de cygnes, and breaking in the foam of lace and the flying spray of diamonds. Here even the ordinary black-and-white of the men became black-and-gray or black-and-lavender, with gems for waistcoat buttons. On the dancing-floor many couples, hugging each other so tightly that their bodies touched from chest to center, swayed to the sensuous music of a one-step, the leaders' high collars wilting, the fingers of their right hands spread wide along the women's upper vertebras, their partners looking into their intent faces from narrowed eyes.
The picture was too bright, too varied, for the unaccustomed mind to seize it: Luke turned to Porcellis:
"And Mrs. Ruysdael?"
He was expecting his hostess to meet her guests at the door of the ballroom.
Porcellis, however, did not wholly understand.
"Oh, she's about somewhere, I dare say," he responded—"though she doesn't care for late hours and sometimes leaves after the third dance. Come on. I'll introduce you to some worth-while people."
He introduced Luke to a great many people, for he seemed to know them all. There was the British Ambassador and a German baron, a string of dowagers with marriageable daughters (Luke danced with each daughter and liked her), an artist, a scientist, and a bibliophile, and several debutantes that were not marriageable at all, but were quite frankly determined to marry.
As is the way when a name runs in one's brain, three out of five of the people that Luke talked to sooner or later mentioned the man that the elder Huber had spoken of that morning and that Porcellis had later so highly extolled. The Ambassador said that this man had, by lending or withholding tremendous sums, preserved the peace of nations; the artist praised him as the only true patron of art in America; the scientist told how the same man had established and equipped a now world-famous institution for the study and cure of a world-plague; the bibliophile envied his first editions and medieval manuscripts.
Leading his prettiest partner across the floor, Luke's glance, in spite of his will, rested on a diamond pendant that hung from a thread of gold about her neck and fell above her beautiful bust. She was a girl with the face of one of those Italian peasant girls that the early painters loved to paint as Madonnas, and Huber felt that his regard must be an insult.