Where, as in the case of Gourmont, the wealth to draw upon is so great, a book of selections is particularly difficult. A word may be added here as to the plan of the present volume. In the preface to La Culture des Idées, which gave him his first reputation, and which remains the cornerstone of his critical achievement, Gourmont refers to the incoherence in its composition, which "no preface can either correct or palliate."

"What good is it for me to pretend, for example," he asks, "that these miscellaneous articles are closely bound together by a common idea? Doubtless some of them hang together fairly well, and seem even to grow one out of the other; but, in its ensemble, the book is merely a collection of articles. When Voltaire wanted to give his opinion on a current topic, he published a pamphlet. We, to-day, publish an article in a review or a journal. But Voltaire, at the end of the year, did not gather his various pamphlets into a volume. He let them follow their destiny separately. They were collected only in his complete works, where, then, it was possible, grouping them according to their affinities, to avoid that variegated air necessarily assumed by our collections of articles."

What has here been attempted is a first triage of a part—the essential part—of Gourmont's work, and its logical rearrangement. At the head of the volume I have placed that article on La Dissociation des Idées, which Gourmont himself regarded as having "perhaps a little more importance than the others" in La Culture des Idées, since in it he exposes his method; and this I have followed with four articles from Le Chemin de Velours, which are there grouped together under the general head of Nouvelles Dissociations, and which form its natural suite or sequence. In this way I feel I have been able, not only to offer a book more homogeneous than either of the two from which its contents have been taken, but also, in a measure, to realize for Gourmont a project which, as he explained, the conditions of modern publishing alone prevented him from realizing. So far as I know, this is the first English translation of his essays authorized by Gourmont or his personal representatives.

For the hitherto unpublished portrait of Gourmont which appears as frontispiece to this volume, I am indebted to the very great kindness of Miss Natalie Clifford Barney, of Paris.

W. A. B.

Vence (A.M.), France, 26 March, 1921.


[DECADENCE]

AND OTHER ESSAYS ON

THE CULTURE OF IDEAS