Soon he appeared to be forgotten, and dancing was resumed.
The farmstead where the gathering was held was a fairly modern building, the usual large house-place being divided into two rooms of unequal size. In the smaller of these the elder men, with the master of the house, were drinking and playing luette. In the larger, that by which the two Lumineaus had entered, dancing was going on. The tables had been pushed along the walls beside the beds, the curtains of which had been spread over the counterpanes to save them from being torn. Some half-dozen matrons, who had accompanied their daughters, had collected round the hearth before a fire of dried cow-dung, the fuel of that treeless district, each having on the mantel-piece her cup of coffee, with a dash of brandy in it, from which she took an occasional sip.
Petroleum lamps placed along the wall lighted the narrow space reserved for dancing. A smoky, heated, vinous atmosphere pervaded the house. The icy air from without drew in under the door, sometimes making the young Maraîchines, despite their stout woollen gowns, shiver with cold. But no one minded. The room was filled with laughter, chatter, and movement. Youths and maidens from isolated farmhouses, cut off from one another by periodical inundations, they were tired of solitude and repose. Escaped from their tedium and restored for a brief space of social intercourse, they seemed possessed by feverish excitement. Soon all the gay dancers would be dispersed again over the mute, trembling sheet of water. They knew it; and made the most of the short reprieve.
So dancing recommenced.
First the Maraîchine, a dance for four, a kind of ancient bourrée, which the lookers-on accompanied by a rhythmic humming; then rondes sung by a male or female voice, taken up by the others in chorus to the accompaniment of an accordeon played by a sickly, deformed boy of twelve; or there were modern dances, polkas and quadrilles, danced to one and the same tune, the time only made to vary. The girls, for the most part, danced well, some with a keen sense of rhythm and grace. Round their waists the most dainty had knotted a white handkerchief, to preserve their dresses when, after each refrain, their partner seized his lady round the waist and jumped her as high as possible, to demonstrate the lightness of the Maraîchines and the strength of the Maraîchins. Known to each other, these young people from the same parish, often neighbours, resumed the flirtations of the preceding winter; they made love; appointed meetings at Chalons fair, or at some coming dance at another farm; new-comers were gladly welcomed. Among these latter André Lumineau was the most sought after, the most cheery, most fertile at inventing nonsense and talking it.
Time passed. Twice Père Gauvrit had gone through the two rooms, opened the house door, and said:
"The moon is rising and will soon be visible; the wind is getting up and it freezes hard," then had gone back to resume his place at the card-table where the players awaited him. Mathurin Lumineau had taken a hand, but was playing absently, attending far less to his cards than to every movement, look, and word of Félicité. Already the artful beauty had several times contrived to bring her partner to a halt in the inner room, that she might exchange a few words with Mathurin. She was radiant with pride; on the bold, regular features that towered above the greater number of tulle coifs could be read triumphant joy, that after six whole years, the mad love she had inspired still endured, and had brought back to her the young men of La Fromentière.
It was ten o'clock. A little Maraîchine, her complexion russet as a thrush, started the first notes of a ronde:
"When as a little child I played,
Light-hearted, never dull;